Gallery Sixty Nine: How to make expressive photographs in “bad” light

• Gallery One: Travel Abstractions -- Unlimited Thought (87)
• Gallery Two: Travel Incongruities (205)
• Gallery Three: Expressing human values (124)
• Gallery Four: Finding meaning in details (59)
• Gallery Five: Using the frame to define ideas (46)
• Gallery Six: Vantage Point makes the difference (40)
• Gallery Seven: Making time count (46)
• Gallery Eight: Light and shadow shape meaning (124)
• Gallery Nine: Composition -- putting it together (103)
• Gallery Ten: A Walk in the Park – only minutes away (14)
• Gallery Eleven: Aspects of Antarctica – a travel photo-essay (15)
• Gallery Twelve: Using color to express ideas (126)
• Gallery Thirteen: Bringing Fresh Visions to Tired Clichés (25)
• Gallery Fourteen: Expressing the meaning of buildings and structures (69)
• Gallery Fifteen: Making travel portraits that define personality and character. (111)
• Gallery Sixteen: Story-telling street photography (116)
• Gallery Seventeen: Memories in Metal and Stone: How monuments, sculpture, and tombs express ideas. (90)
• Gallery Eighteen: Light and Landscape – combining personal vision with nature’s gifts (89)
• Gallery Nineteen: Conveying a Sense of Place – A Town of Ghosts, Frozen in Time (16)
• Gallery Twenty: Controlling perspective with the wideangle lens (39)
• Gallery Twenty One: The Marketplace -- crossroads of a community. (63)
• Gallery Twenty Two: Black and white travel photography – making less into more (90)
• Gallery Twenty Three: Stirring emotions through atmosphere and mood. (94)
• Gallery Twenty Four: The Workplace -- essence of a culture (122)
• Gallery Twenty Five: Stimulating the imagination with “opposites and contradictions” (33)
• Gallery Twenty Six : Using reflections to transform reality (73)
• Gallery Twenty Seven: Bringing far to near with the telephoto lens (22)
• Gallery Twenty Eight: Using symbols and metaphors to express meaning (82)
• Gallery Twenty Nine: The Layered Image – accumulating meaning (59)
• Gallery Thirty: When walls speak and we listen (59)
• Gallery Thirty One: Interpreting cultural festivals -- Mexico’s Day of the Dead (20)
• Gallery Thirty Two: On Safari -- expressing the essence of nature (77)
• Gallery Thirty Three: Using light and color to define and contrast textures (55)
• Gallery Thirty Four: Photographing the tourist in all of us (56)
• Gallery Thirty-Five: How style and interpretation combine as expression (18)
• Gallery Thirty Six: Adding or subtracting context to clarify or extend meaning (27)
• Gallery Thirty Seven: As others see me (42)
• Gallery Thirty Eight: The camera as time machine: linking the past to the present (35)
• Gallery Thirty Nine: Juxtaposition – compare and contrast for meaning (59)
• Gallery Forty: Expressing the force and beauty of moisture in motion (38)
• Gallery Forty One: Ruins and wrecks: photographing the rusted, busted past (56)
• Gallery Forty-Two: Adding meaning to scenic vistas (28)
• Gallery Forty-Three: When doors, arches and gates express ideas (40)
• Gallery Forty-Four: Photographing human response – gesture, body language, and expressions (43)
• Gallery Forty-Five: Using clouds to imply meaning (56)
• Gallery Forty-Six: Automotive expression – turning rusting metal into visual ideas (24)
• Gallery Forty-Seven: How using words in pictures can expand meaning (27)
• Gallery Forty-Eight: Telling stories with pictures (43)
• Gallery Forty-Nine: Creating an echo with rhythm and pattern (47)
• Gallery Fifty: Using silhouettes as abstract symbols and metaphors (25)
• Gallery Fifty One: Using diagonals for guidance, energy, and meaning (29)
• Gallery Fifty Two: implying motion by using expressive blur (19)
• Gallery Fifty Three: creating energy through tension (13)
• Gallery Fifty Four: Opposing diagonals – composing with triangles (15)
• Gallery Fifty Five: The Agra-Jhansi Express – a black and white travel picture story (10)
• Gallery Fifty Six: The bus-bound travel image (13)
• Gallery Fifty Seven: Expressions of Faith (55)
• Gallery Fifty Eight: Man and nature -- expressing our relationship with the environment (51)
• Gallery Fifty Nine: Using dramatic light at the fringes of the day (34)
• Gallery Sixty: Dining impressions – shooting at mealtime. (23)
• Gallery Sixty One: Signs as symbols (59)
• Gallery Sixty Two: The Abstract Landscape (13)
• Gallery Sixty Three: Dimensions of grandeur – larger than life travel imagery (28)
• Gallery Sixty Four: Transitions – connecting layer-to-layer for mood and meaning (9)
• Gallery Sixty Five: Using the zoom lens to change frame, scale, and meaning (6)
• Gallery Sixty Six: Using political iconography to express ideas (16)
• Gallery Sixty Seven: The art of salesmanship – more than a job (15)
• Gallery Sixty Eight: A city portrait -- impressions of New York (144)
• Gallery Sixty Nine: How to make expressive photographs in “bad” light (14)
• Gallery Seventy: How to use super wideangle lenses effectively (14)
• Gallery Seventy One: Making the most of a rainy day (18)
• Gallery Seventy Two: Bringing the museum to life (21)
• Gallery Seventy Three: Expressive treasures from the underpass. (12)
• Gallery Seventy Four: Lightchasers -- nature and landscape photographers at work (20)
• Gallery Seventy Five: The ghost town – a travel photo-essay (13)
• Gallery Seventy Six: Spring comes to Yellowstone – a travel photo-essay (22)
• Gallery Seventy Seven: Communication on the go (18)
• Gallery Seventy Eight: Figures in the sky – a public art exhibition (12)
• Gallery Seventy Nine: at the zoo (11)
• Gallery Eighty: A city portrait – impressions of Mission Beach (39)
• Gallery Eighty-one: A city portrait – impressions of Cuenca, Ecuador (72)
• Gallery Eighty-two: A city portrait -- impressions of Havana, Cuba. (60)
• Gallery Eighty-three: Impressions of the Galapagos – an extended photo-essay (82)
• Gallery Eighty-four: Documentary photography – observing a miracle of nature (10)
• Gallery Eighty-five: On Tour – cruising the Mississippi from Memphis to the Gulf (68)
• Gallery Eighty-six: An American safari -- wildlife photography in southeast Alaska’s wilderness (73)
• Gallery Eighty-seven: Impressions of Charleston, South Carolina (59)
• Gallery Eighty-eight: Exploring the historic back roads of the American Southwest (60)
• Gallery Eighty-nine: A long weekend in the Big Easy (21)
• Gallery Ninety: 101 ways to interpret Bolivia (101)
• Gallery Ninety-one: A month on America’s “Last Beach.” (97)
• Gallery Ninety-two: Cruising the Inland Passage from Charleston to Jacksonville (73)
• Gallery Ninety-three: Bull riding, the "most dangerous eight seconds in sports" -- a photo-essay (13)
• Gallery Ninety-four: The Road to Chautauqua (80)
• Gallery Ninety-five: Back to the beach -- finding new stories in familiar subjects (75)
• Gallery Ninety-Six: From the Persian Gulf to the Andaman Sea (74)