 The Reading Girl, 1886-7 |
 The Kiss, 1916 |
 Their Majesties' Return from Ascot, 1925 |
 The Deluge, 1920 |
 Brittany, 1914 |
 The Resurrection, Cookham, 1924-7 |
 The Convalescent, 1918-9 |
 No Man's Land, 1919-20 |
 Brighton Pierrots, 1915 |
 The Arrival, 1913 |
 The Soul of the Soulless City ('New York - an Abstraction'), 1920 |
 Farm at Watendlath, 1921 |
 Eve, 1908 |
 A Favourite Custom, 1909 |
 The Mirror,1900 |
 Eve, 1900 |
 The Lament for Icarus, exhibited, 1898 |
 The Doll's House, 1899-1900 |
 Brown Eyes, 1891 |
 Mount's Bay and Tolcarne from Trewidden Farm Footpath with Alethea and her Mother, 1898 |
 Ena and Betty, Daughters of Asher and Mrs Wertheimer, 1901 |
 Study in Blue and Grey, 1891 |
 Minnie Cunningham at the Old Bedford, 1892 |
 Colour Co-ordination |
 Woman in Yellow, 1863 |
 Study for 'Ecce Ancilla Domini! (The Annunciation)', 1849 |
 A Capri Boy, 1883 |
 The Nymph of Loch Awe, 1897 |
 Sisyphus, 1870 |
 Broken Vows, 1856 |
 Hearts are Trumps, 1872 |
 The Last Day in the Old Home, 1862 |
 The Derby Day, 1856-8 |
 Omnibus Life in London, 1859 |
 The Bath of Psyche, exhibited 1890 |
 A Scene from Tristram Shandy, 1829-30 |
 The Play Scene in 'Hamlet', exhibited 1842 |
 Dolly Varden, 1842-9 |
 Chatterton, 1856 |
 Scene from 'Twelfth Night' ('Malvolio and the Countess'), exhibited 1840 |
 The Order of Release 1746, 1852-3 |
 The Health of the Bride, 1889 |
 Love and the Pilgrim, 1896-7 |
 Saint Eulalia, exhibited 1885 |
 Frieze of Eight Women Gathering Apples, 1876 |
 King Cophetua and the Beggar Maid, 1884 |
 Hope, 1866 |
 All Hands to the Pumps, 1888-9 |
 The Lady of Shalott, 1888 |
 A Music Lesson, 1887 |
 Blossoms, 1881 |
 Beata Beatrix, 1864-70 |
 The Beloved ('The Bride'), 1865-6 |
 Woman's Mission: Comfort of Old Age, 1862 |
 Woman's Mission: Companion of Manhood, 1863 |
 The Golden Stairs, 1880 |
 Proserpine, 1874 |
 The Slave, 1886 |
 Christ in the House of His Parents ('The Carpenter's Shop'), 1849-50 |
 Christ in the House of His Parents (detail), 1849-50 |
 Past and Present, No. 1, 1858 |
 Past and Present, No. 2, 1858 |
 Past and Present, No 3. 1858 |
 Claudio and Isabella, 1850 |
 Our English Coasts ('Strayed Sheep'), 1852 |
 Pegwell Bay, Kent - a recollection of October 5th 1858, 1858-60 |
 Pegwell Bay (detail), 1858-60 |
 The Ford ('Crossing the Ford'), exhibited 1842 |
 Ophelia, 1851-2 |
 Mariana, 1851 |
 The Awakening Conscience, 1853 |
 The Awakening Conscience (detail), 1853 |
 The Awakening Conscience (detail), 1853 |
 Study for 'Thoughts of the Past', 1859 |
 Thoughts of the Past, exhibited 1859 |
 A Garden, 1869 |
 Tha Boyhood of Raleigh, 1870 |
 Aurelia (Fazio's Mistress), 1863-73 |
 Lady with a Dove: Madame Loeser, 1864 |
 The Eve of St Agnes, 1856 |
 Baccanalian Scene, 1862 |
 Laborare est Orare, 1862 |
 Battersea Reach, 1870 |
 The Girl at the Gate,1889 |
 The Ball on Shipboard, 1874 |
 The Girlhood of Mary Virgin, 1848-9 |
 Cornfield at Ewell, 1849 |
 Love Locked Out, 1890 |
 Liverpool Quay by Moonlight, 1887 |
 The Toilette, 1886 |
 Standing Female Nude, 1835-40 |
 Caligula's Palace and Bridge, exhibited 1831 |
 Late at School, 1834 |
 Punch or May Day, 1829 |
 Amateurs of Tye-Wig Music, 1820 |
 The Rat-Catcher and his Dogs, exhibited 1824 |
 The Mill Stream, 1810 |
 Kensington Gravel Pits, 1811-12 |
 Stoke-by-Nayland, 1810-11 |
 The Raising of Jairus' Daughter, exhibited 1820 |
 Flatford Mill, 1816-17 |
 French Coast with Fishermen, 1825 |
 Milking Time, 1833-4 |
 The Gleaning Field, 1833 |
 The Porch of St Maclou, Rouen, 1829 |
 Mrs Siddons, 1804 |
 Roadside Inn, 1790 |
 Jupiter and Ganymede, 1811 |
 Haymakers, 1785 |
 Reapers, 1785 |
 Giovanna Baccelli, exhibited 1782 |
 Mrs Robert Trotter of Bush, 1788-9 |
 Lady Hamilton as Circe, 1782 |
 The Death of Major Peirson, 6 January 1783 |
 The Archers, 1769 |
 An Iron Forge, 1772 |
 Master Crewe as Henry VIII, 1775 |
 Mrs Johnstone and her son (?), 1775-80 |
 Angel's Heads, 1786-7 |
 Three Children of Richard Arkwright with a Goat, 1791 |