The Reading Girl, 1886-7 |
The Kiss, 1916 |
Their Majesties' Return from Ascot, 1925 |
The Deluge, 1920 |
Brittany, 1914 |
The Resurrection, Cookham, 1924-7 |
The Convalescent, 1918-9 |
No Man's Land, 1919-20 |
Brighton Pierrots, 1915 |
The Arrival, 1913 |
The Soul of the Soulless City ('New York - an Abstraction'), 1920 |
Farm at Watendlath, 1921 |
Eve, 1908 |
A Favourite Custom, 1909 |
The Mirror,1900 |
Eve, 1900 |
The Lament for Icarus, exhibited, 1898 |
The Doll's House, 1899-1900 |
Brown Eyes, 1891 |
Mount's Bay and Tolcarne from Trewidden Farm Footpath with Alethea and her Mother, 1898 |
Ena and Betty, Daughters of Asher and Mrs Wertheimer, 1901 |
Study in Blue and Grey, 1891 |
Minnie Cunningham at the Old Bedford, 1892 |
Colour Co-ordination |
Woman in Yellow, 1863 |
Study for 'Ecce Ancilla Domini! (The Annunciation)', 1849 |
A Capri Boy, 1883 |
The Nymph of Loch Awe, 1897 |
Sisyphus, 1870 |
Broken Vows, 1856 |
Hearts are Trumps, 1872 |
The Last Day in the Old Home, 1862 |
The Derby Day, 1856-8 |
Omnibus Life in London, 1859 |
The Bath of Psyche, exhibited 1890 |
A Scene from Tristram Shandy, 1829-30 |
The Play Scene in 'Hamlet', exhibited 1842 |
Dolly Varden, 1842-9 |
Chatterton, 1856 |
Scene from 'Twelfth Night' ('Malvolio and the Countess'), exhibited 1840 |
The Order of Release 1746, 1852-3 |
The Health of the Bride, 1889 |
Love and the Pilgrim, 1896-7 |
Saint Eulalia, exhibited 1885 |
Frieze of Eight Women Gathering Apples, 1876 |
King Cophetua and the Beggar Maid, 1884 |
Hope, 1866 |
All Hands to the Pumps, 1888-9 |
The Lady of Shalott, 1888 |
A Music Lesson, 1887 |
Blossoms, 1881 |
Beata Beatrix, 1864-70 |
The Beloved ('The Bride'), 1865-6 |
Woman's Mission: Comfort of Old Age, 1862 |
Woman's Mission: Companion of Manhood, 1863 |
The Golden Stairs, 1880 |
Proserpine, 1874 |
The Slave, 1886 |
Christ in the House of His Parents ('The Carpenter's Shop'), 1849-50 |
Christ in the House of His Parents (detail), 1849-50 |
Past and Present, No. 1, 1858 |
Past and Present, No. 2, 1858 |
Past and Present, No 3. 1858 |
Claudio and Isabella, 1850 |
Our English Coasts ('Strayed Sheep'), 1852 |
Pegwell Bay, Kent - a recollection of October 5th 1858, 1858-60 |
Pegwell Bay (detail), 1858-60 |
The Ford ('Crossing the Ford'), exhibited 1842 |
Ophelia, 1851-2 |
Mariana, 1851 |
The Awakening Conscience, 1853 |
The Awakening Conscience (detail), 1853 |
The Awakening Conscience (detail), 1853 |
Study for 'Thoughts of the Past', 1859 |
Thoughts of the Past, exhibited 1859 |
A Garden, 1869 |
Tha Boyhood of Raleigh, 1870 |
Aurelia (Fazio's Mistress), 1863-73 |
Lady with a Dove: Madame Loeser, 1864 |
The Eve of St Agnes, 1856 |
Baccanalian Scene, 1862 |
Laborare est Orare, 1862 |
Battersea Reach, 1870 |
The Girl at the Gate,1889 |
The Ball on Shipboard, 1874 |
The Girlhood of Mary Virgin, 1848-9 |
Cornfield at Ewell, 1849 |
Love Locked Out, 1890 |
Liverpool Quay by Moonlight, 1887 |
The Toilette, 1886 |
Standing Female Nude, 1835-40 |
Caligula's Palace and Bridge, exhibited 1831 |
Late at School, 1834 |
Punch or May Day, 1829 |
Amateurs of Tye-Wig Music, 1820 |
The Rat-Catcher and his Dogs, exhibited 1824 |
The Mill Stream, 1810 |
Kensington Gravel Pits, 1811-12 |
Stoke-by-Nayland, 1810-11 |
The Raising of Jairus' Daughter, exhibited 1820 |
Flatford Mill, 1816-17 |
French Coast with Fishermen, 1825 |
Milking Time, 1833-4 |
The Gleaning Field, 1833 |
The Porch of St Maclou, Rouen, 1829 |
Mrs Siddons, 1804 |
Roadside Inn, 1790 |
Jupiter and Ganymede, 1811 |
Haymakers, 1785 |
Reapers, 1785 |
Giovanna Baccelli, exhibited 1782 |
Mrs Robert Trotter of Bush, 1788-9 |
Lady Hamilton as Circe, 1782 |
The Death of Major Peirson, 6 January 1783 |
The Archers, 1769 |
An Iron Forge, 1772 |
Master Crewe as Henry VIII, 1775 |
Mrs Johnstone and her son (?), 1775-80 |
Angel's Heads, 1786-7 |
Three Children of Richard Arkwright with a Goat, 1791 |