photo sharing and upload picture albums photo forums search pictures popular photos photography help login
Phil Douglis | all galleries >> Galleries >> Gallery Six: Vantage Point makes the difference > Cattle-drive, Henry, Idaho, 2006
previous | next
30-SEP-2006

Cattle-drive, Henry, Idaho, 2006

Our van was held up for fifteen delightful minutes by a cattle-drive right up the center of the highway. Most of my shots were made through the open door of our van as these cattle flowed past us, but early on, when we first spotted them coming at us from a distance, I was able to spend a few precious seconds shooting from the middle of the highway. I took the lowest vantage point I could, lowering my camera to almost pavement level and looking down into my flip out viewfinder at the on-coming herd. I placed the double yellow line at the lower right hand corner of my frame, so that it would lead the eye into the heart of the herd. They were coming at me up a long slope, and I shot just as they reached the crest. The yellow line rises and then begins to fall as it vanishes into the herd. Cowboys on horseback drive the cattle from the rear, and traffic backs up behind them. My 420mm telephoto lens collapses the distance between these elements, and makes the distant field seem as if it is an earthen wall at the back of the image. This photograph is essentially a product of my own perspective. It is far more expressive than any of the images I made by shooting down on the cattle from our van as they passed us by, because my ground level perspective vicariously puts the viewer directly into the path of the oncoming herd.

Panasonic Lumix DMC-FZ50
1/500s f/6.3 at 88.8mm iso100 full exif

other sizes: small medium large original auto
share
Phil Douglis07-Nov-2011 01:31
Thanks, Barri, for your comment. This image continues to draw comments from viewers more than five years after I made it, and not only because of its vantage point, but because of the story it tells. As you note, a powerful vantage point can often draw the viewer into the image itself, and that was what I was trying to do here. I not only tried to pull the cattle towards us with that line -- I also push the viewer's eye towards the cattle. I also was fortunate that the cow closest to the line turned its head at the instant I shot, so that its profile rhythmically echoes the line itself. That cow seems to be asking the adjacent cow, that has momentarily turned away from us, to join the parade as well.
Barri Olson05-Nov-2011 23:52
Yes this is really a neat shot Phil...and it sure expresses how vantage point adds to the story the photographer tells. That yellow line really defines the slope and distance of the highway and makes a person feel that the cattle are coming right down at them. Those wavy lines on the hills in the background seem to add a little uncertainty or nervousness too...are the cattle going to run us over, once they cross this distance that the road implies? An articulating LCD screen works wonders too in this low level shot (easier on the knees too ;-) A wonderful shot indeed.
Phil Douglis13-Oct-2008 03:59
Thanks, Khang, for recognizing the importance of corner placement here -- I hope you will be able to benefit from this idea.
Guest 10-Oct-2008 11:18
Another lesson about the yellow lines. Usually and thoughtless, in a similar situation, I put that line at the centre and so it makes no effect like yours. Thks again!
M Williamson Lebon14-Oct-2007 04:09
Terrific image!!V
Phil Douglis12-Oct-2007 18:00
Wonderfully said, Xin. "By lessoning your altitude, you empowered your subjects." The low vantage point always puts the subject in a superior position to the viewer.
Sheena Xin Liu12-Oct-2007 05:47
This image struck me, Phil. It would look a lot paler if you adopt a conventional perspective. The low vantage point worked amazingly well here, as if those cows were to step over you the next minute. By lessening your altitude, you empowered the subjects ¨C this might be applied to things in and out photography.
Phil Douglis30-Jun-2007 20:19
And it is my vantage point, Charu, that positions the yellow line in the corner, and it is also my vantage point that brings us to eye level with the oncoming herd of cattle. All of which, as you point out, draws the viewer into the frame to feel the pavement tremble.
Guest 30-Jun-2007 15:22
this is such a compelling image, Phil. thanks to the perspective and perhaps the position of the yellow line within the frame, it is almost possible to feel the movement of the herd... the eye is drawn all along the yellow line on to the various elements within the frame.
Phil Douglis20-Apr-2007 18:26
Thanks, Barry. You are right. The ability to act quickly in such situations as this is intuitive. And that comes with practice and experience. For every fleeting moment I've been able to react to in time, there are others that I've missed. And when we miss the moment, there is always the consolation that there will be another chance. This was one of those chances.
Barry S Moore20-Apr-2007 06:06
Wonderfully done. You have to think quickly to see these photographic opportunities V. Barry
Phil Douglis02-Mar-2007 17:21
It is the contrast between the old and new here, Ai Li, that carries the most meaning for me. The cattle and cowboys are the old -- while the road stripe and the backed up traffic are the new. And there is some abstraction here as well --- the fields in the back are merely suggested, not described. The cowboys are abstracted as well -- they are almost silhouettes.
AL02-Mar-2007 12:31
Phil, this is absolutely amazing. Yes it's indeed once in a lifetime shot that I really wish I can get the chance to do it too. Agree with the rest, your low perspective put us all right at the scene, facing and feeling the approaching herd. You know how much I love to abstract, but in this case, the inclusion of the traffic and the distant fields worked better as they beautifully lined up with the yellow line, leaving the cattle the only barrier to our eyes which we don't mind at all!
Phil Douglis29-Oct-2006 03:05
Thanks, Priya. It is the vantage point that makes this particular composition what it is. I appreciate your kind words.
Guest 29-Oct-2006 03:02
Fantastic composition...
Phil Douglis28-Oct-2006 04:27
Thanks Neil and Giselle, for coming to this image. I made it very, very quickly. The cowboys were shouting at me to get back in the van. Glad you both enjoyed it.
giselle borgwardt28-Oct-2006 01:01
Thanks for the explainations.
Like this image a lot.
Neil Horner27-Oct-2006 20:34
wow ! great shot wish i could see that, maybe not too close though....
Phil Douglis27-Oct-2006 17:41
Thanks Ana, Sue, Ed, Jenene, Macastat, David, George, Petem, and Jean-Claude for your comments. Yes, Ana, the vantage point here was a very special one. I was not, however, shooting this at a high angle, but rather a low angle. With my flip out LCD, I was able to lower the camera almost to the ground (without having to lie down on the road) to stress that dip in the road and the thrust of the yellow line. And thank you, Ed, for suggesting the crop -- just the legs coming at us creat an abstraction that certainly stimulates the imagination. Jenene -- your comment stresses the contrasts and incongruities present in this image. It was as if we were suddenly thrown back into another time. The mooing and shouting of the cowboys and the dust and smell all went into this image. A bovine mirage, as David puts it. And yes, petem -- it was a surreal moment. It was so unexpected. And so rewarding.
Jean-Claude Liehn27-Oct-2006 17:21
A beautiful document. I like this kind of photography. Congratulations and Thanks.
Guest 27-Oct-2006 17:07
The incongruity and juxtaposition is surreal.
George Christakos27-Oct-2006 16:13
Excellent photo. They come towards to us in full power! Indeed, the use of the yellow line is brilliant and makes the difference. These are the little details that show the talent of a photographer. Bravo.
david procter27-Oct-2006 15:11
I can feel them moving forward as one, not to mention hear them. Like a bovine mirage on the road.
Macastat27-Oct-2006 14:17
exceptional... and as usual we are indebted for the wonderful terse companion lesson you provide
JSWaters27-Oct-2006 14:11
This is such an amazing image, Phil. I can't even number all the incongruities. It's both an 'old West' image complete with cattle and cowboys, and so 'today' with the paved highway as a means to drive herd. Your vantage point is superb - I can feel the dust in my throat and hear hooves on the blacktop. That double yellow line vanishes beneath the crowd and emerges in the background in the form of dried, mown grass fields in the background.
Jenene
Guest 27-Oct-2006 09:06
This image is just outstanding. I really like the perspective giving the viewer a greater sense of actually being there to see this first hand, I had scrolled down to read your commentary and when I tried to scroll back up, my finger slipped off stopping the image with only the road and the legs of the cattle showing. This became another interesting image to view as one could visual depth within all of their legs. The yellow lines lead ones eye into their midst.
Sue Robertson27-Oct-2006 08:16
I like the angle you have here. Very good composition.
Ana Carloto O'Shea27-Oct-2006 06:57
Yes... what a fantastic image!!
It was great that you were positioned at such an high angle.. wow! The way the catle takes up all of the road made up for an amazing shot and yes.. it's hard to have a notion of the distance in this way, because we just see a small stretch of the road....
Phil Douglis27-Oct-2006 06:55
Thanks, Christine and Kal, for sharing the pleasure of this shot. For me, it was a once in a lifetime shot and I wanted to put the viewer directly in its path. And yes, Kal, that background is critical -- it is all earth, and part of the canvas.
Kal Khogali27-Oct-2006 06:03
What a stunning image Phil. The role of the background here is critical. It lends the part of a canvas and creates the expressive feeling of distance, since the road disappears. Fantastic. K
Squared C27-Oct-2006 05:46
Wow! I'm sure glad you weren't in a hurry and were able to make the most of this delightful moment in time! Excellent shot!
Type your message and click Add Comment
It is best to login or register first but you may post as a guest.
Enter an optional name and contact email address. Name
Name Email
help private comment