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Phil Douglis | all galleries >> Galleries >> Gallery Six: Vantage Point makes the difference > View from the wall, Pingyao, China, 2007
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14-SEP-2007

View from the wall, Pingyao, China, 2007

Pingyao is one of the few cities in the world still encircled by its original ancient walls. The walls date back to the Ming Dynasty (1370) and can be walked in their entirety within a half-day. They over an excellent vantage point for photography – we can look down on people going about their daily lives without them being aware of us. The high vantage point here allow me to contrast Pingyao’s large cyclist population to its relatively scarce presence of cars. It also stresses the bikes and their riders by making their shadows easily visible.

Leica D-Lux 3
1/400s f/8.0 at 6.3mm iso200 full exif

other sizes: small medium large original auto
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Phil Douglis08-Oct-2007 18:51
Thanks, Tricia. As I mentioned to Patricia, the shadows were part of my concept from the very beginning -- both those that existed before the bicycles entered the frame, and those the cyclists brought along with them. The shadows are the glue that holds the image together.
flowsnow08-Oct-2007 11:14
Agree with Pat on the shadows, Phil. I like it.
Phil Douglis28-Sep-2007 04:27
Thank you, Patricia, for this commentary. I was fully aware of all of the points you mentioned while composing this image. Actually, I composed it before the cyclists and cars arrived. I knew where I wanted the light and shadows to fall in my image, and set them up along a diagonal plane and then just watched and waited as various vehicles and cyclists entered the picture and passed through it. I must have made ten to twenty shots of this particular concept, and this was the one that worked the best. I carefully watched the play of the shadows on the road as well -- they are what really made the picture work.
Patricia Lay-Dorsey28-Sep-2007 03:33
The vantage point is very strong here, but what strikes me especially is the power of the diagonals and shadows in this image. Your composition makes what could have seemed like a random collection of cyclists into a cohesive whole with purpose and meaning. Including the one car was a stroke of genius. Even the shadows of the vehicle and the buildings add to the strong compositional shapes in this image.
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