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Phil Douglis | all galleries >> Galleries >> Gallery Twenty Six : Using reflections to transform reality > A face in the window, Mekong Ferry, Ben Tre, Vietnam, 2008
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01-JAN-2008

A face in the window, Mekong Ferry, Ben Tre, Vietnam, 2008

There was a distant caution on this child’s face, peering out at me from the back seat of a van being hauled across the Mekong River on a ferryboat. However just as important as the face is the reflection that descends over the image from the top. The child is already peering out from behind a curtain. The reflection adds a secondary curtain that suggests his isolation from the outside world. He appears somewhat sad and very vulnerable –we were used to getting big smiles and “V” signs flashed at us by Vietnamese kids, yet this young boy never altered his cautious demeanor.

Leica V-Lux 1
1/250s f/4.0 at 49.6mm iso100 full exif

other sizes: small medium large original auto
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Phil Douglis11-Jun-2008 20:36
Thank you, Jenene, for seeing this image as a trigger to thought. That is perhaps the ultimate purpose of expressive photography itself. This image makes a viewer wonder, imagine, and think. Photographic art begins with an image, and ends with what the viewer can bring to it.
JSWaters11-Jun-2008 04:32
I can think of at least 5 stories that immediately come to mind when I see this image - and that makes it very moving and memorable to me. We know just enough to start the story.....the rest is up to the viewer.
Jenene
Phil Douglis28-Jan-2008 04:26
Thanks, Rusty, as always, for seeing the impossibles here -- all that is happening together here is happening because I am there with my camera. Otherwise the face never comes to the window, the reflection goes unused, and this image never happens.
russellt28-Jan-2008 01:03
I think constantine manos said something to the effect that a great photo is impossible. there are enough impossible things going on in this photo that I think that it at least deserves a comment. there is the boy's wistful expression. there's the quality of light on his face and the curtain. there's the reflections in his eyes and on the glass. there's the small inconspicuous camera and lens which allowed you to quickly frame and capture all of this before it slipped away...
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