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Phil Douglis | all galleries >> Galleries >> Gallery Ninety-Six: From the Persian Gulf to the Andaman Sea > At rest and at work, Bombay, India, 2016
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06-DEC-2016

At rest and at work, Bombay, India, 2016

This almost surreal image expresses the raw and strikingly incongruous nature of Bombay. I made it from the window of our slowly moving tour bus. A man on a seemingly overloaded bicycle initially drew my interest – he seems to balance those massive, bulging sacks without a trace of effort. Because our bus was caught in traffic, we were moving as slowly as this bike, allowing me to photograph him for several minutes. Suddenly we drew abreast of a street person at rest. He sits within a broken curb and leans upon a rusting fence as he looks up at our passing tourist bus. Behind him, a child screams from a poster for a Bollywood horror film. A crumbling structure provides an appropriate background for this homeless man and the screaming child, while the man carrying the bulging sacks on the back of his bicycle pays no heed to any of it.

Panasonic LUMIX DMC-LX10
1/320s f/2.8 at 8.8mm iso125 full exif

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Phil Douglis22-Feb-2017 05:49
Contrasting sadness to progress is always a challenge, and I was fortunate to recognize it when I saw it.
Tim May08-Feb-2017 00:13
Alright - there is major sadness here. - but there is life, too. The man is on his bike and he is moving forward.
Phil Douglis05-Feb-2017 21:43
You see the story here well, Iris. It is just as I intended. As our bus moved through a crowded street, I followed the progress of that man on a bike, overloaded with well worn bulging sacks. Suddenly, that listless homeless man, sitting below that movie poster image of a screaming child, appeared in the background. Everything flowed together within a ramshackle environment. Yes, it is a sad image but also a surreal one. It makes an indelible impression.
Iris Maybloom (irislm)05-Feb-2017 20:16
For me, the poster child, screaming in horror at this scene of decay, despair, and dissolution, paints (or photographs!) a picture of the underside Bombay. The man on the bike will soon be exiting the picture, but the sadness of the homeless man surrounded by trash and rubble will remain.
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