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Phil Douglis | all galleries >> Galleries >> Gallery Seventy: How to use super wideangle lenses effectively > The wreck of the Peter Iredale (1), Fort Stevens State Park, Oregon, 2009
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21-JUN-2009

The wreck of the Peter Iredale (1), Fort Stevens State Park, Oregon, 2009

This is the first in a series of three super wideangle images featuring the wreckage of a commercial ship that ran aground on Columbia Beach one hundred and three years ago. In this image, I create a relationship in space between the skeleton of the ship’s bow, the clouds exploding out of it, and a distant jogger who runs along the surf. The bow, exposed by the low tide, is only a few feet away, yet the 14mm focal length of my lens pushes it away as it if were yards, rather than feet, away. The runner is not that far from the lens either, but appears very small because of the 14mm optic’s way of interpreting distance. A sky full of clouds makes the image work. If the sky was empty, the image would lack the energy to express its ideas.

Panasonic Lumix DMC-G1
1/400s f/9.0 at 7.0mm iso100 full exif

other sizes: small medium large original auto
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Phil Douglis04-Jul-2009 23:15
You characterize this image perfectly, Carol. By spreading the subjects and stressing the space between things, a super wideangle lens such as this one can truly create a sense of isolation.
Carol E Sandgren04-Jul-2009 19:11
I've always been fascinated by shipwrecks, and have wanted to photograph this one sometime. I like how your very wide angle creates a sense of isolation except of course for your lone runner in what appears to be at a distance. All that sandy beach surrounding the wreck helps me envision a place where nobody ever goes to, forgotten and ignored.
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