Once again our paths converged -- and once again, you shoot vertically to stress the folds of the drape and the diagonal thrust of the arm leading to that intense eye, while I shot it horizontally (http://www.pbase.com/pnd1/image/86311427 ) to stress the arm which is now horizontal, leading the hand that links the two expressions. Shooting identical subject matter, we find different moments in time and light and use different compositions to stress the content of those respective instants in time.
