A very strong vantage point, Lisbeth. By putting the viewer's nose down on the step, you take it to where it would have never gone on it own, creating a strong incongruity and abstracting the image in the process. You also create a strong scale incongruity here -- the stairs dwarf the tiny people in the distance. But you don't make the mistake of using this vantage point only for the sake of form or effect. You make it part of content by exaggerating the stairs to create a symbol: an obstacle to be somehow conquered. These people, who I presume are in the process of moving something into this museum, must somehow deal with it.
