Instead of describing the entire car, I move in to stress the light passing through the glass bricks reflecting on its partially open window. The effect is haunting, and matches the materials of the period to the era of the car itself. I converted the image to black and white, because the car and the design of the glass brick window look like they belonged to an era of black and white photography. The reflection of the glass brick window also divides past from present – we stand in the present, yet whispers from the past can be imagined coming from the dark interior of the car.