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Phil Douglis | all galleries >> Galleries >> Gallery Thirty-Five: How style and interpretation combine as expression > Ghost, Haynes, Arizona, 2006
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20-MAY-2006

Ghost, Haynes, Arizona, 2006

This is the first of eight images I made while giving a field tutorial in Haynes, just outside of Jerome. In the 1890s, the village of Haynes housed Jerome’s copper miners. Today it is a commercially operated ghost town. Its ramshackle buildings house an assortment of vintage industrial equipment, including old trucks such as this one. I have a deep interest in the past, and that comes through in my photographic style. I will often make images that take my viewers back to another time and place. In this photograph, I contrast then and now by incongruously juxtaposing a dimly illuminated truck, parked just inside a dark garage, against the bright leaves of foliage. The garage and foliage here provide critical context for the truck. If I had just photographed the truck, it would be an entirely different kind of image. A major part of my photographic style is creating interaction between subject and context. In this case, the foliage is very much alive, bringing vitality and energy to the ghostly truck in that dark garage. I am implying that this truck may someday be restored, allowing it to roll out of that garage under its own power. Implication is another element of my style – I want my images to act as triggers to thought, so I do whatever I can to engage the imagination of my viewers.

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1/200s f/5.6 at 21.6mm iso80 full exif

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Phil Douglis13-Sep-2006 16:30
Thanks, Evan, for these anecdotes from Capone-era Chicago. I am sure that there are many other such tales out there. Apparently, there were plenty of bullet-holes to be patched in those days, and almost everyone who lived on Chicago's West Side at that time either fixed them or knew someone who knew someone who fixed them. Of course seventy or eighty years later, fact often becomes fiction, and the number of bullet holes just keeps on growing. Images such as this can certainly bring back thoughts of those times.
Phil Douglis07-Jun-2006 05:40
Not every picture demands a story from its viewers. A feeling, in this case your own historical curiosity, is good enough.
Shirley Wang07-Jun-2006 02:35
I'm much drawn to this image but couldn't tell a story about why. Must curiosity about history.
Phil Douglis25-May-2006 22:29
I love the skull metaphor, Celia. Thank you for suggesting it. It fits my thematic approach quite well. The truck is dead, waiting for resurrection. In centering the truck, I do offer it an air of dignity and respect. I remember being awe struck as I walked slowly towards it. I was by myself and I actually felt as if I was walking into the past as I moved towards it ever so slowly, shooting as I approached. The inclusion of the bush was deliberate. The picture does not work without it. I needed contrast, tension, some implication of potential rebirth. The garage and bush give the car critical context for meaning. I am always trying to strike an expressive balance between subject and context -- it is another hallmark of my photographic style, and it helps me to interpret a subject more productively. Thanks, as always, for stimulating our thoughts on this image even more so, Celia.
Cecilia Lim25-May-2006 22:00
Wow! The shell of this car resembles a skull - with hollowed out eyes and nose, where the black lights and front grills are ! This truck appears to have been a living being! The fact that it has a resting place here in the shade which you photographed with bright light in the foreground, makes it command respect from us - reminding us that it has indeed seen brighter days even though it is now beaten and retired. By centering the truck in the composition, you also give it an air of dignity. Again, this implies respect - I am sure this truck has served well in its heyday!

I am so in awe of your instinct and the choices you make in what you photograph - you really know how to work your image to tell how you feel. Take for example the simple fact that when you choose to include the living bush in the sun, you completely affect the tone of the image - implicating a positive force. This rusty, abandoned truck left in a dark garage could have been a sad and haunting image, but it's not, by your design!
Phil Douglis24-May-2006 18:40
Thanks, Lorraine. Glad you share the profound beauty of another time here with me. I can hardly bring myself to see it restored. I always prefer to see the real thing and to me, age and rust and decay are real, while restoration is a fantasy.
Guest 24-May-2006 18:17
When I look at this I want to imagine it restored but on the other hand It still holds a profound beauty.
Phil Douglis24-May-2006 17:30
It is amazing how certain things bring to mind certain people. This vehicle spooks us from its resting place in a dark garage. Another garage was the scene of Capone's infamous St. Valentines Massacre. I grew up with this event seared into my imagination. I grew up in 1930s Chicago! My grandfather once told me that he was a part owner of that very garage, and was warned to "stay away" the day before the massacre. My father was mugged a few years later by a Capone thug waiting in ambush in my dad's own garage. He stole the car, and a day later my dad was called to the morgue to identify a body. It was the thug who took the car. The car itself was riddled with bullet holes. My dad fainted. At least that's what I was told, and things like that stay with you, and in this case, shaped my perception and my style. I am sure that is why I was drawn to this scene in the first place. Al Capone, indeed!
Guest 24-May-2006 07:03
Al Capone!!! the same thought whent throe my head!!! I supose we've seen too much the untouchables. ;)))
Phil Douglis24-May-2006 00:11
Thanks, Mikel, for response. The tonality plays an important role here -- there is just enough light in the garage to reveal where this car is parked. I opened the shadows slightly in Photoshop to show detail. And yes, I was looking for a ghost driver myself. As I said later to Christine, my tutorial student, I half expected to see Al Capone in the driver's seat.
Guest 23-May-2006 23:24
I like how the darck bacground and the slight light that comes throe a filthie window or sow gives these soft light tones on the care it does give it certain spookieness if you add it to the dismounted structure of the car. yes, in fact it looks like if in any moment it wold have tourn on and come out of the garage with a ghost driver.
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