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Phil Douglis | all galleries >> Galleries >> Gallery Twenty Seven: Bringing far to near with the telephoto lens > At Prayer, Cathedral of St. Stephen, Zagreb, Croatia, 2005
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04-SEP-2005

At Prayer, Cathedral of St. Stephen, Zagreb, Croatia, 2005

The man was sitting alone behind the main altar of Croatia’s greatest Cathedral, staring straight ahead with clasped hands. He was so deeply into prayer and meditation that he rarely moved or changed expression while I was there. I wanted to make an image defining his concentration and devotion. But I certainly did not want to disturb him. Sitting on a bench fifty or sixty feet away, I placed my camera on the back of the bench in front of me for stability. My 432mm telephoto lens allowed me to reach out across that space and the fill nearly half my frame with the praying man. The light was very poor, but my camera has an image stabilized lens, which gave me the freedom to use both a low ISO (100) and a shutter speed as slow as ¼ of a second and perhaps get a sharp picture in the light that was available to me. I never use an intrusive flash, under any circumstances. I turned off all noises on my camera, and probably made about thirty or forty images of him over a ten- minute period. Many of them were slightly blurred, but this was one was perfect. He was so far away that my depth of field extended well beyond him and defined the names of historical figures on the wall behind him in sharp focus. This image is all about concern, acceptance, and perhaps a touch of sadness as well – all of them resonant human values.

Panasonic Lumix DMC-FZ20
1/4s f/2.8 at 72.0mm iso100 full exif

other sizes: small medium large original auto
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Phil Douglis24-Oct-2007 19:39
My "courage" was bolstered, Chris, by distance. I was fifty or sixty feet away from this man. I was not holding a camera up to my face, either. Because I was shooting in low light, my camera was resting on the railing in front of me. I was looking down, as if in prayer myself. Actually, I was looking down into my flip-out viewfinder. Having a camera with a rotating LCD viewfinder was critical here, as was my 432mm telephoto lens, which allowed me to zoom across the broad aisle that separated us, and fill the frame with this scene. So there was no fear at all for me here. He was doing what he was doing and I was doing what I was doing. I don't think he ever noticed me.
Chris Sofopoulos24-Oct-2007 15:04
Amazing in every aspect Phil. And amazing how you had the courage to take this photo!
Maybe I would be afraid.. I don't know. In any case you had a great try and a more great result!
Phil Douglis27-Dec-2005 02:15
I felt a sense of sadness here as well, Lara. You can't help feeling sad when looking at such intense human passion in the presence of death itself. He was looking at the body of a Cardinal, enclosed in a glass tomb. He never wavered. I don't show any of that, however. I leave it all to your own imaginings. And yes, I have indeed isolated him by putting him off to the left and boxing him in between those pews.
Lara S27-Dec-2005 00:26
Very poignant photo, Phil. I'm speechless. This photo makes me so sad. But then again why am I assuming that he is sad? Could it be because you've isolated him even more, by placing him to the far left of your frame?
Phil Douglis10-Dec-2005 04:20
Well said, Jack. This is an image full of questions that only the viewer can answer.
jack 09-Dec-2005 21:37
Why did I do that?.... or why didn't I? Lord have mercy....
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