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Phil Douglis | all galleries >> Galleries >> Gallery Two: Travel Incongruities > Going Nowhere Fast, Mission Beach, San Diego, California
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15-APR-2004

Going Nowhere Fast, Mission Beach, San Diego, California

While shooting in Mission Beach with my fellow pbase artist Tim May, we noticed a sunbather reading a book while reclining on the narrow ledge of a seawall. What made this picture opportunity particularly interesting to both of us was the incongruous placement of those huge red arrows and the speed limit for cyclists posted just beneath her, as well as the additional incongruity of the "No Parking" sign she is ignoring. Since she is otherwise engaged at the moment, she is oblivious to that speed limit – yet the thrust of the arrows seem ready to momentarily send her flying in either direction. I adjusted my vantage point to place the background surf just above her book, and waited for her to eventually shift the position of the book so that it did not merge into her profile. Only then did I shoot. The rhythmic repetition of the horizontal lines of the sky, sea, surf, body, wall, arrows, and sidewalk generate much implied movement, all of it juxtaposed against a subject going nowhere fast.

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Phil Douglis06-Dec-2005 19:27
And that's the nature of expression, AJ. Everything in an image should either have something to say in its own right or else add context to help the image work.
Guest 06-Dec-2005 17:12
what a well composed image: full of juxtaposition and yet finely balanced! There are so many elements: sky, sea, wall, road, sign, paint, woman, book ... ALL with something to say.
Phil Douglis24-Aug-2005 19:43
I am delighted you want to be that woman, Lori! I was so wrapped up in the incongruity of the two signs and the inert sunbather that I never considered an entirely different aspect of this image -- one that you have seized upon. You have become, for a moment, anyway, the lady with the book and the sea and not a care in the world. And if an image can trigger that kind of response in the imagination of its viewers, it can rightfully be called expressive.
Lori Rosen 24-Aug-2005 12:00
It's all just too perfect! Compositionally and metaphorically this one wows me.
I want to be that girl!
Phil Douglis27-Feb-2005 04:31
I enjoyed your view that those waves are breaking the rules by disobeying the one-way arrows. Never noticed that. Thanks, Chris & (or) Kim.
Chris & Kim10-Feb-2005 03:10
From reading the below messages, I'm glad you reverted back to the original frame to include the sign and adjusted levels to bring out the left arrow. I see the incongruities mentioned below, her body riding the waves yet parked beneath the no parking sign. But what grabbed me immediately was this picture seemed to convey a total disobedience for rules. She is obviously not obeying the No Parking sign. But the waves themselves, are also breaking the rules. They are coming straight towards the viewer, completely disobeying the arrows pointing them to the left or right. One of my favorites so far, but I'm only on the second gallery. Thanks.
Phil Douglis13-Jan-2005 00:13
It seems that my revised image amuses you, Zandra, so I can assume my critic feels that the added incongruity the No Parking sign brings to this image makes it work more effectively for you than it did before. It is my kind of humor, too. I thank you for helping me realize this image's potential for humor by criticizing the previous version.
Guest 12-Jan-2005 21:13
This version made me burst in to laughter Phil, with that sign. Hehe, talk about breaking the rules...no parking...does it look like i care...i'm on vacation. Yes defentaly another incongruity. I htikn the only thing following any road sign oe makr here are the ways that might be moving in the right speed...but defenatly in the wrong direction hehe. My type of humour Phil. Love it!
Phil Douglis12-Jan-2005 20:15
Zandra asks, and Zandra gets! Your suggestions stunned me. I never thought of the role of a vertical counterpoint to the horizontal thrusts of this image before you mentioned it, Zandra. Why? Because I was so consumed with a hunger for horizontal thrusts, that I even wanted the frame of the image itself to be a long horizontal. In doing so, I had to crop out a "No Parking" sign in order to make my horizontal frame work without distraction. Today you opened my eyes to what I had missed here. Not only did I miss including the tension of that "vertical counterpoint" that you suggest in your critique of this image, but I had also ignored another incongruity. the fact that this lady has deliberately parked her body underneath a "No Parking" sign! So your suggestion has spurred me to post an entirely new version of this picture -- and it is dedicated to you, Zandra. I may have sacrificed some of my snazzy form here, but by adding the No Parking Sign, I have enriched the meaning of this image considerably. And it was there all the time! I had been blind to it. Without your criticism, this image would have never seen the light of day in this form. Thanks to you, I have been able to make use of what I had originally framed, but had ignored its potential for meaning.

You will notice that I even used levels to lighten the arrows on that wall, as well.

Let me know what you think of it now, Zandra!

Phil
Guest 12-Jan-2005 11:45
I like the way the stillness in this image is enhanced not only by the woman’s position but also by the repetitive horizontal lines. I find the lines restful. Had the lines been vertical there had been much more tension, or sense of direction that does not go with the rest of the feeling in the image. I wonder what feeling the viewer would have if there were one single vertical line, the stem of a tree for instance, behind the woman’s head. A single line would stress the sense of direction. Or how about a street sign. Maybe one of those arrows that points out the direction, without any text, tilted, to point upwards…or down ward maybe, to stress the woman and really point her out to us, to point out…rest HERE…as if it would be possible to miss her. I wonder if that would be an incongruity as well.

I find it a bit dark, especially the left part. On my screen the arrow is hardly visible. That might be the reasons as to why I had difficulty seeing the incongruity at first. Have you tried lightening it a bit using levels? I think it would enhance your message, as it would be clearer. Finally…looking out the window, wishing it was sunshine outside so I could bring my book and be lazy on the beach.
Phil Douglis23-Dec-2004 18:49
Glad this image encourages you to think about slowing down and getting the best out of life, Mikel. That's what she is doing here, in spite of the hard bed, crashing surf, and those metaphors suggesting life in the fast lane.
Guest 23-Dec-2004 16:53
Funny indeed, It is curious, since I always go runing up and down like a chiken without a head it makes me think a bit about that. We are use to moove up and down everiday faster and larger distances (though 8 Mph. isn't much). but on the other hand, the incongruity of a person stoped and passing it's time reading untop of a wall with the speed sign that at it's time has two arrows that give a metaphore of speed is significantly important. Perhaps all of us should doo more a relaxed life and have more time to stop and read, it is like the paradox of modern life.
Antonio Pierre De Almeida09-Dec-2004 04:58
Fun picture to take and look at, it's all I have to say.
Phil Douglis01-Dec-2004 23:39
To see an image well, we must not only look at it in its entirety, but also in its details. There is a double incongruity here, Clara. Not only the speed limit sign, but the way the body rides the waves while stretched out on a hard slab. She is moving without moving, she reads comfortably in a very uncomfortable place.
Guest 01-Dec-2004 20:53
because of the darkness of the wall below her, the incongruity was not noticed by me before reading your description. in any case is a great snap of real life.
Phil Douglis08-Nov-2004 04:59
You are the engineer. I'm not, Nut. All I know is that the context tells us she should be moving no faster than than eight miles per hour, the arrows echo her body language, the seawall and surf seem to be flowing from edge to edge, yet she lies there reading a her book. I am amused and so are you. It is incongruous -- the context says one things and the subject says another.
nut 08-Nov-2004 04:47
This is the incongruous photograph in term of abstract.
"Fast-Slow"

Under the speed limit, this woman didn't move at all. But if you marked something as reference axis then move. You won't feel like you are moving. So his woman is moving at
8 miles/hour and all her movement environment seem so slow compared with the standing-moving sunbather.
Phil Douglis04-Nov-2004 17:58
Wonderful concept, Nut.
nut 04-Nov-2004 06:45
I saw "It's my vacation and this is my world and nothing can move me" sign here.
nut 04-Nov-2004 03:13
Yeap, you said it.
Phil Douglis03-Nov-2004 23:23
It is like taking a trip without ever moving, isn't it, Nut?
nut 02-Nov-2004 14:04
Moving environment and being motionless on her concentrate.
Phil Douglis11-Oct-2004 00:20
What a remarkable comment, Rodney! I had never considered this to have religious overtones -- I guess I was concentrating so hard on the incongruities that I never thought beyond them. But your comments shows me that this image is successful in stimulating your imagination, which is why I made it.
Guest 10-Oct-2004 21:15
In other words, she's living in the moment. :)
Guest 10-Oct-2004 21:15
I agree there is a Zen Buddhist quality to this. The wall displays energy and direction. The waves displays energy and their direction. But, like a buddhist, who tries to keep the mind tranquil and away from suffering, she is unmoveable and the distractions and energies around her are ignored
Phil Douglis02-Jun-2004 19:49
Thanks, Dirk -- glad this picture relaxes you as much as the warmth of the sun, the sound of the surf, and a good book appear to be relaxing this woman. If "implied movement juxtaposed against a subject going nowhere fast" is "almost Zen" I'll be glad to embrace your definition.
Guest 02-Jun-2004 14:21
This is a very fine image Phil in several ways, I absolutely adore it, it's almost Zen and it's relaxing to look at and to let it work to your brain.
With kind regards,
Dirk
Wendy O25-Apr-2004 05:45
Terrific!
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