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Phil Douglis | all galleries >> Galleries >> Gallery Nine: Composition -- putting it together > Unloading the Catch, Manta, Ecuador, 2003
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21-DEC-2003

Unloading the Catch, Manta, Ecuador, 2003

Powerful abstraction and diagonal composition turns a mundane task into a heroic image. This fisherman is moving hundreds of tuna from the depths of a fishing boat to the bed of a huge truck. He does it with a hoist, a net, and a lot of strength. As he pulls on the big net, he creates a diagonal thrust moving from the lower left hand corner of the picture into his hands. The hoist behind him is tilted at the same diagonal angle, creating a rhythmic, repetitive flow of line that glues this picture together. In between, we see the shining tails of abstracted fish, giving context and meaning to the picture. But the core of the image is the man himself. My low vantage point has thrust his abstracted body against the evening sky. His bent leg echoes the diagonal lines of both net and hoist. Much is left to the imagination of the viewer. How does he feel about what he doing? What does he look like? How many fish are there? It is a photograph that asks questions and invites viewers to answer them with their own imaginations.

Canon PowerShot G5
1/1250s f/8.0 at 28.8mm full exif

other sizes: small medium large original auto
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Phil Douglis09-Oct-2004 02:00
Thanks, Peter for your comment on this photograph. I agree with you on the low vantage point. Although I have placed this image in my composition gallery, I could have just as well placed it in my vantage point gallery. Regarding the lack of details in the silhouette, which turns this man into a symbol instead of showing you his identity, I agree as well. I could have just as well placed this image as example in my abstraction gallery, or in my "light and shadow" gallery.

However to me, the main thrust of this image is in the rhythmic repetitive flow of the net, the back of the man, and the hoist.
Guest 07-Oct-2004 19:59
Low vantige point makes this photo powerfull, it gives the man the power and might he otherwise wouldn't have if photographed at eye level, and the lack of details in the silhouette alows as to wonder; is this a real person or a monument?
Peter
Phil Douglis16-Aug-2004 02:57
Good memory, Bruce. This is the same fellow who was also flipping those fins. The mood has changed entirely, as you say, within only a few minutes. This was the hard part of the task, and there was little reason for him to be sassy. It was a long day for him, indeed.
Guest 15-Aug-2004 03:35
This reminds me of your other photograph from this trip, "Fin Flipper". But where that one is jaunty and sassy, this one is more restrained. This one speaks of the end of a long day of hard work, with the implication of earned rest.
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