This image is the most abstract photograph in this series of my impressions of Gormley’s exhibit. This figure is set back from the park, standing at the edge of a building adjacent to what once was formerly known as the Metropolitan Life Insurance Tower. I abstract the scene by rendering both the figure and the building upon which it stands as silhouettes, and waited for a passing cloud to envelope the figure that stood within a sharp right angle of the building’s setback. The figure is emphasized by the cloud, making it seem to mysteriously emerge from the building.