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Phil Douglis | all galleries >> Galleries >> Gallery Sixty Eight: A city portrait -- impressions of New York > Echoes of Strand, New York City, New York, 2009
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18-SEP-2009

Echoes of Strand, New York City, New York, 2009

One of my favorite pictures of New York City is Paul Strand’s “Wall Street, 1915:”

( http://www.masters-of-photography.com/S/strand/strand_wall_street_full.html )

In his Wall Street image, Strand juxtaposes abstracted figures of commuting workers plodding past the House of Morgan on Wall Street. They plod past the bank as robots; dwarfed in scale, and dehumanized by the very institutions they serve. In my own image, I echo the point Strand makes here about New York City. In Strand’s day, laborers were little more than subservient chattel. In our day, workers and institutions alike are decimated by financial greed. In my image, the commuting workers are larger than Strands, but similarly abstracted by the light. Instead of a bank, they plod past a sleek store window filled with robotic mannequins wearing clothes that few of them can afford. They plod along the sidewalk, some with heads bowed, just as the workers back in 1915 plodded below the black windows of the Morgan Bank. New York City is a city of great vitality. But it is also a city built on the backs of its workers, and as the 21st century dawns, those workers are feeling the pressure.

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Phil Douglis25-Nov-2009 19:18
Thanks, Tim, for noting the way the legs and hands are moving within this image. They give life to photo, particularly when compared to the static posture of the mannequins in the store window. You are right -- nobody seems to be looking at the expensive store display -- they are focused instead on their own trek home. It was very much the same in the Strand image -- nobody is looking at the House of Morgan as the trudge past it, either.
Phil Douglis25-Nov-2009 19:15
Thanks, Kathy, for coming to this image. You look into this image with care and thought, and the more you see here, the more you seem to be thinking about its meaning. I hope that after your recent four day tutorial with me here in Phoenix, you will be able to make the jump from reading the meaning in pictures by others, to bringing more substantive meaning into your own images. Good luck.
Tim May25-Nov-2009 18:36
I notice several things in this image. one is the way the legs on the three people on the left seem to be in similar positions, next the hands - almost every hand that you can see is involved and gesturing, and finally, nobody is looking in the window which no doubt the store has spent a long time designing and thinking about - sometimes marketing seems like a shotgun.
Kathy Khuner25-Oct-2009 16:22
I am struck by the many layers in this photo especially the two men in blue shirts, diagonal black straps talking on their cell phones, their animation coming from their contact with an invisible other, the people mostly walking to the right and the manikins facing left, the layers of colors/not colors.... The wall of windows, which form a formidable barricade separating the people from the interior store as if saying that you can see dead colorless manikins but not the living shoppers and merchandise inside. There is so much to discover here. I took a look at the photo by Paul Strand, which enriched the experience of looking at your photo.
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