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Phil Douglis | all galleries >> Galleries >> Gallery Sixty Eight: A city portrait -- impressions of New York > Obama Rising, The Bowery, New York City, New York, 2009
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21-MAR-2009

Obama Rising, The Bowery, New York City, New York, 2009

This is the most fascinating image I was able to make during seven days of shooting in New York City. Walking through the Bowery with fellow pbase photographers Tim May and Judy Tillinger, I came upon this spontaneous, layered, and ultimately accidental work of art on the wall of a building at the corner of The Bowery and Houston Street. It all begins at the top, with the remains of a Barack Obama campaign poster by street artist Shepard Fairey. Another street artist later “enhanced” it with vivid red, brown, and green coloration. Such modification is only fair, after all, because Fairey himself had based his poster on AP photographer Mannie Garcia’s shot of Obama at a press conference. Time, chance, and the weather then complete the picture before us. Additional posters and ads were later pasted over the enhanced Obama poster – the intersection of The Bowery and Houston Street is one of the busiest on the Lower East Side, and that wall is a prime spot for advertisements. On the day I appeared with my camera, those posters and ads were in shreds. Yet the top of Obama’s heroic visage can still be seen, rising above a world of chaos. A bit of bold graffiti comes into play as well – a steel plaque commemorating artist Keith Haring’s famous Bowery Mural a few yards to the west, has been obliterated by an indecipherable scrawl. And even that seems quite fitting. When Obama thanked Fairey for contributing the poster to his campaign, he told him “your images have had a profound effect on people, whether seen in a gallery or on a stop sign.” Fairey responded by noting “…and that thing about stop signs? He’s kind of endorsing graffiti, isn’t he?” My own image finds shadows that add dimension, sculpting the torn posters and ads into abstract art. I add still another layer of expression, and in the process, I close the circle with photography. What began with Mannie Garcia’s image of Obama has ultimately become my own photograph of Obama Rising, with Shepard Fairey, the sun, wind, rain, and various unknown graffiti artists acting as my transformational agents.

Panasonic Lumix DMC-G1
1/500s f/7.1 at 45.0mm iso100 full exif

other sizes: small medium large original auto
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Phil Douglis03-Apr-2009 01:22
That is why I call it Obama Rising, Tim. This President has to lead us through the chaos -- there is no other acceptable alternative. You are right -- I started out intending to shoot the decay, which is a favorite motif. But I quickly saw the chaos metaphor as soon as I found Obama's image rising over the top of it all.
Tim May02-Apr-2009 23:28
You love to photograph the worn-out world. The aging of our environment and things. Here, though, I see a symbol of the chaos that is our culture and our hope that one man can help lead us through the chaos.
Phil Douglis31-Mar-2009 02:48
I knew you would come to this image, Carol. I am glad you find it as fascinating as I did. I offer my most detailed explanation above to help my viewers appreciate the beauty and meaning of this image and the process that created the subject matter. You are right about New York, which has seen more than its share of graffiti over the years -- depending upon the context, it is considered art by some, vandalism by others, and just part of the landscape by most. This particular blend of art, politics, vandalism, advertising, and climatic effect is, in my view, a treasure.
Carol E Sandgren31-Mar-2009 00:49
Fascinating image, Phil! I don't know which is more apt here: "Art happens" or "Art begets Art"! I am always interested in seeing how grafitti art changes form with time, whether from other "artists" or simply time and weather. New York is a great place to witness these transformations.
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