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Phil Douglis | all galleries >> Galleries >> Gallery Twenty Two: Black and white travel photography – making less into more > Window, Ellis Island Immigration Station, New York City, New York, 2009
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20-MAR-2009

Window, Ellis Island Immigration Station, New York City, New York, 2009

From 1892 until 1924, more than 12 million immigrants entered the United States through Ellis Island. Today, its ornate Victorian buildings stand as a museum and memorial in New York harbor, in the shadow of the nearby Statue of Liberty. Many of the rooms in Ellis Island’s main building have been restored to their original appearance, including this one. I exposed on the window light to darken the room, and converted the image to black and white to strengthen the sense of what it must have felt like to pass through such a room more than 100 years ago. New York City was so close – the end of a long and often anxious journey. Yet the ornate bars on the window, the harshness of the dimly seen tiled wall and ledge, and the confining cloak of darkness must have made a new home seem, at least for the moment, out of reach. For some immigrants, the bars symbolized the threat of denied entry. For most, they were simply a final barrier to the promised land.

Panasonic Lumix DMC-G1
1/80s f/4.0 at 45.0mm iso800 hide exif
Full EXIF Info
Date/Time20-Mar-2009 08:05:17
MakePanasonic
ModelDMC-G1
Flash UsedNo
Focal Length45 mm
Exposure Time1/80 sec
Aperturef/4
ISO Equivalent800
Exposure Bias-0.66
White Balance
Metering Modemulti spot (3)
JPEG Quality
Exposure Programprogram (2)
Focus Distance

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Phil Douglis21-Apr-2009 19:31
Your words illuminate this image for us, Jenene -- they are very close to what I had in mind when I chose this window as a subject and decided to work with it in black and white instead of color. Thank you.
JSWaters21-Apr-2009 17:47
You've turned this window into the symbol of the passage to the past. The hardships and struggles faced by so many immigrants is far from reality for most of us - the black and white keeps that reality just out of reach, while the bars on the window serve as a very tangible obstacle.
Jenene
Phil Douglis31-Mar-2009 00:11
You put it well here, Endre -- "closed away from real life." That phrase must assuredly tell us how these immigrants must have felt while being held on Ellis Island. Thank you.
endre novak30-Mar-2009 19:57
the choice of b/w, which you described as being less "real" to colour (fully agree, although I tend to like it more and more in a progress of simplification) is superb here. emphasizes the simple, boring world of being closed away from the real life.
very nice and effective composition.
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