Both of us like these recent paintings and also the much smaller early 'traditional' work from the fifties.
It would seem she spent the sixties in New York being a performance artist, very scandalous, always good for a photo op in the Daily News.
We lived in the city at that time and ignored most of that stuff. David refers to it as "people writhing around in their underwear".
There was even a news clipping from an event held in a theater where we used to work.
The big draw at the MALBA was three rooms, enviroments really, that I believe were created a bit later.
From what one could see through the opening doors they looked, at least, quite entertaining but there were long lines and it was very claustrophobic so we skipped them.