Here is the diabolical trick that the Firm presents to its clients: it doesn't make the poor rich and does not exalt nonentities to the peak of power. Her clients are folks who are already wealthy and successful. The firm does not provide them with a new lease on life - it simply swaps them around like pieces on a board, while each one of these stays with his own. Underneath the new appearance, the aging insides are hidden, and underneath the new, brand-new personality, there's lots of old memories, sins, mistakes and fears that you have to hold with you everywhere.

... However, our gloomy man seems to truly have a chance: on the beach he met a mystical woman named Nora (Salome Jens) - not his first youth, but nonetheless very attractive. Judging by some hints, also from the'former '. Initially, alert Tony gradually thaws.

Nora takes him to the annual festival of wine, of which hippies indulge in libations and arrange a genuine orgy: grapes are poured into a huge wooden vat, naked women and men trample it down seriously to the universal joyful chant. https://gumroad.com/598750117434/p/balto-animated-movie-review In this vat, the effervescent wine of the sexual revolution is fermenting, which turns the pinnacle of the hippie generation. By the conclusion of the century, it'll hopelessly sour right into a vinegar of harassment and pedophilia, but for people who happily tumble in a vat, it is still ahead. However, 30-year-old playboy Tony discusses this deadly sin with the eyes of 50-year-old accountant Arthur. Only if his clothes are forcibly ripped off and dragged in to a vat does the moment of enlightenment come - bursting into hysterical laughter, Tony tumbles in a grape slurry! But no ... no breakthrough happened, sobering sets in, and paranoia returns ...


Gradually, the unsightly underside of his new life opens before Tony Wilson. There's no turning back - he wants to use again, not realizing that the second attempt is doomed similar to the first. Neither a fresh name, nor a fresh face will make him free and happy, because he is locked in his inner prison, and where the important thing from it is - God only knows ... Nevertheless, he requires a second chance. The Firm is extremely reluctant to create such deals. Tony's only chance for a second try is to discover a new client for the Firm, as Charlie once found himself. The cycle of secondhand cows must continue ...


* * *

Frankenheimer shot The Secondaries at the height of his directorial power, using his entire arsenal of highly polished visuals. new movies reviews Contrasting black-and-white cinematography, dynamic camera, sharp editing, unexpected angles, having fun with optical distortion and new wide-angle optics for those times, specially built scenery that creates a surreal perspective. With the excellent acting of the actors, especially the'double-headed monster'Randolph / Hudson, this creates a feeling of paranoia that literally sticks to the viewer. By viewing it becomes clear where in fact the legs grow from the Aronophian'Pi'and'Requiem for a Dream '. Even the rocking camera that I hate is used tastefully and to the level - when it follows a drunk hero at a celebration, there is a genuine feeling to be'rolled'...

I would recommend watching it along with a Japanese painting of the same year'Tanin no kao (Alien's face) '.