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Form of electronic dance music Techno is a genre of electronic dance music (EDM) that is mainly defined by a repeated and hard 4 on the floor beat which is typically produced for use in a continuous DJ set. The central rhythm is typically in common time (4/4), while the tempo normally differs between 120 and 150 beats per minute (bpm).

Drum makers from the 1980s such as Roland's TR-808 and TR-909 are highly valued, and software emulations of such retro instruments are popular. Use of the term "techno" to refer to a type of electronic music originated in Germany in the early 1980s. In 1988, following the UK release of the collection Techno! The New Dance Noise of Detroit, the term came to be related to a kind of electronic dance music produced in Detroit.

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Contributed to this is the impact of futuristic and science-fiction styles appropriate to life in American late capitalist society, with Alvin Toffler's book a significant point of reference. The music produced in the mid to late 1980s by Juan Atkins, Derrick May, and Kevin Saunderson (jointly referred to as the Belleville Three), in addition to Eddie Fowlkes, Blake Baxter, James Pennington and others is considered as the very first wave of techno from Detroit.

In Europe local variations quickly progressed and by the early 1990s techno subgenres such as acid, hardcore, ambient, and dub techno had developed. Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between often related but typically qualitatively different designs, such as tech home and trance.

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Atkins likewise points out that "around 1980 I had a tape of nothing but Kraftwerk, Telex, Devo, Giorgio Moroder and Gary Numan, and I 'd ride around in my vehicle playing it." Another Point of View has likewise claimed he was unaware of Kraftwerk's music prior to his partnership with Richard "3070" Davis as Cybotron, which was two years after he had very first started try out electronic instruments.

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Derrick May identified the impact of Kraftwerk and other European synthesizer music in commenting that "it was just sophisticated and tidy, and to us it was gorgeous, like deep space. Living around Detroit, there was so little charm ... everything is an unsightly mess in Detroit, and so we were drawn in to this music.