The illusion of happiness broadcast by relatives, relatives is only an illusion. Yet it's not so scary to end up alone with the last moment, as to waste your life insurance coverage alone with your thoughts. Loneliness, such as an evil worm, sharpens us, not letting choose a second.

In 2010, two truly worthy opponents met for the title of Best Debutant in Directing good British Film Academy. On the one hand, Richard Ayoade's drama "Submarine" is concerning an arduous teenager and his first love. On the other side, Paddy Considine's heavyweight psychological film Tyrannosaurus, which tells of your much later feeling. It's funny that Considine himself even were able to play one of several roles in "Submarine", but still won inside the director's category.

His talent been specifically recognized on the prestigious Sundance Independent Film Festival within the United States, that is more significant compared to award provided by his compatriots. And everything because Tyrannosaurus just isn't some section of British reality, but an unbiased, integral and comprehensive work. Filmed for a penny, the film could not bring big dividends or world fame to its creators. He just told one very sad story, which, if unlucky, can happen to anyone.


... The foul-mouthed and drunkard Joseph lives alone in her shack after his wife died. His only friend, the dog Bluie, he accidentally killed inside a fit of rage as he lost inside the sweepstakes. Outbursts of anger often prevent Joseph from adequately reacting on the justified claims of others, but the guy doesn't worry about anything. His world is an important, fetid pit packed with pain, hatred and suffering. His best companion wastes away from cancer, and Joseph's life on welfare leaves no a cure for other joys compared to the beloved leather sofa inside pub along with the mournful tales of drinking companions.

Desperation drove Joseph to Hannah's inconspicuous shop. In excess of could not push the stranger away, but attempted to show sympathy, that he habitually grinned at. However, and also the isn't a stone, and shortly the man returned to apologize. His craving for an already middle-aged married woman cannot be called an familiar romantic word. Poor Hannah, terrorized by her sadistic husband, also seeks salvation, in almost any guise, all the while awkward and dangerous as Joseph. The two of these were brought together by fate itself, but sometimes the next chance falls so late so it is not possible to use it humanly ...

The film begins and ends while using killing of a pet dog, and you'll know this, because for many such cruelty, albeit sustained by a semantic load, is intolerable. Despair builds up with every shot, every look, every word, leading the characters to some type of catharsis within their lives. Paddy Considine does an incredible thing. He filmed the devastation with the soul. A sense able to performing one of the most evil, incredibly monstrous, but concurrently just deeds. Only someone who has reached the edge is capable of turning his life around and have away from the vicious circle of despair.

To some, a sketch through the life of provincial British, far in the traditional English images of Soviet cinema, may be overly brutal, naturalistic and pretentious. Nevertheless the authors, it appears to me, would not even seek to throw a stone in someone's direction. A lonely and eternally unshaven pensioner Joseph, who nicknamed his deceased wife Tyrannosaurus during her lifetime because she carried her dense body up the steps too loudly. The downtrodden and tortured Hannah, dutifully enduring beatings and bullying from her husband and looking repose in religion. These people are not stripped away from the ceiling, they exist somewhere nearby. Within the tape there is no place for pretentious anguish of feelings, here things are too truthful and thus scary.


https://pbase.com/topics/boxthroat83/quite_a_fair_family_the_mi You may be thinking strange that the only truly peaceful and touching scene while in the film happens in the funeral. It's like putting stress on a thing wrong. It would appear that you understand it with your head, but it surely sounds somehow wrong.

Although good script the title of the photo is explained quite simply, Tyrannosaurus is, rather, a metaphor stretched out along side plot. A collective image with which you could denigrate any character, whether Joseph, unstoppable in the rage, or Hannah, "quiet in their whirlpool ".Or her “respectable” husband, wearing a mask of an prehistoric predator while in the walls of his home. Each one is a part of a massive Tyrannosaurus rex, devouring all things in its path. Its victims are classified as the weak, lonely, defenseless, children, old people, women, animals.