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Thumbing into new turf, Physical pushes into virtual areas might likewise be considered a type of increased reality, though reversed from the typical orientation of virtual objects drifting in Real area and time. There are Source of this, and given that the advent of multi-touch displays (now common in smartphones) the idea of a more intimate motion of the body into online, educational, or virtual spaces is becoming accepted and, perhaps, anticipated.

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Idea and word and deed are condensed into a single memorable moment of touch. I get in touch with the larger world (through games, e-mail, text, and novel app vectors) with a slickly biological pattern of breaking oily streaks on the multi-touch display, lines reminescent of some Zaha Hadid sketch.

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The device and I are both stars in an instant and physical network, and in the broader network of e-mail, apps, games, and the Web. This movement of my body into cyberspace, even in such a stopping and wanting form, is stunning to me. I think we'll look back at this moment some years from now with a startled and stomach-churning astonishment the minute we stopped asking ridiculous virtual animations (alzheimer-ish polygons staggering through iterating and best blue-white skies) to make looks in our world, and finally started emerging in theirs.

I have actually not yet knowledgeable gestural interface firsthand, a minimum of beyond anything as easy as multi-touch. But maybe you've seen the Sixth, Sense TED Talks with Pattie Maes and Pranav Mistry (of MIT's Fluid Interfaces Group) shooting the Web out of their chests and fingering it on plain papers.

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By turning daily items into media, Maes, Mistry, and their team at MIT (Tangible Media Group) have actually made gestural gateways into the daily world of physical touch and motion. John Underkoffler's work is thematically very comparable, although his deal with gestural user interface is focused more on interaction with the wholly virtual.

Underkoffler's version invites us to move through globes of icons, and spinning streams of graphics orbiting cores of ideas; it's a type of kinetic and memetic astrolabe through fields of human-readable information. Underkoffler was a specialist to Steven Spielberg for the film Minority Report, which featured near-future police utilizing sophisticated somatic interfaces to pull info from security electronic cameras, paper archives, and other kinds of details sources.