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g. C Mixolydian over C7) The standard dominant scale (1, 3, 5, b7). Dorian Play over: Minor 7th/ Minor 6th chords (e. g. C Dorian over Cm7/ Cm6) Characterised by its major 6th (6) over minor 7th chords (1, b3, 5, b7). Locrian Play over: Half Decreased chords (e.

C Locrian over Cm7b5) Melodic small jazz guitar scales The melodic minor scale also has its own modal system, producing 7 of its own modes/scales, each one rooted on a degree of the scale. These derived scales have qualities that are well suited to those tense, modified jazz chords. Notification how the names of a few of these scales describe modes of the major scale (e.

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Dorian, Mixolydian) however with minor changes (e. g. Dorian b2) that make considerable differences to the scale's overal noise ... Melodic Minor Play over: Minor Major 7th/ Minor 6th chords (e. g. C Melodic Minor over Cm, M7/ Cm6) Very Same as Dorian, but with a major 7th rather of a small 7th.

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Dorian b2 Play over: Suspended fourth, Flat 9th chords (e. g. C Dorian b2 over C7sus4/b9) Dorian with a small 2nd. Typically used as an option to Phrygian small. Lydian Enhanced Play over: Major 7th, Increased 5th chords (e. g. This Website Enhanced over Cmaj7 # 5) Lydian with an increased 5th.

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g. C Lydian Dominant over C7 or C7 # 11) A good (and often preferable) option to Mixolydian, the only difference between the 2 being the fourth. Mixolydian b6 Play over: Dominant 7th, Flat 13th chords (e. g. C Mixolydian b6 over C7 or C7b13) Remember the 13th is the very same as the 6th, so we're trying to find a flat sixth (b6) period over flat 13th chords.