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Title: Story Theology and Monotheism, Authors: * Conceal before peer review * Association: * Hide before peer review * Abstract: This post talks about how narrative theory offers a doctrinal design that considerably differs from both its very first wave treatment in the 1980's (when Ricoeur, Hauerwas and others utilized narrative theory to translate the Christian bibles), as well as its 2nd wave treatment (the basic project of Literature and Theology, which explored religious imagery in non-canonical texts).

As a core example, this method to narrative faith is mostly poetic, understanding poetry as an art kind structured to foreground the presence of specific words. Such words gain a liturgical quality as a metaphor or sign that connects the poem or story to a more familiar mythopoetic structure. 3 common methods consist of when the particular presence of the text is sacrificed in order to expose the religious magnificence that it would otherwise hide, whether the text carries out as a buddy to religious or theological structures, and even when the text is stated to provide a reinterpretation or new message.

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The majority of narrative theorists discriminate between text (words selected in a specific narrative), fabula (a hypothetical, sequential set of events) and szujet (the arrangement or discussion of occasions). A story is never ever present (just specific word options are), however nevertheless provides a guiding impact on word options (following Riffaterre) in addition to an internal (although ineffable) core structure that permits readers to comprehend suitable and inappropriate options within a text.

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Title: Environment collapse and Noah's Ark, Authors: * Hide prior to peer evaluation * Affiliation: * Conceal before peer evaluation * Abstract: Misconceptions are open storylines that invite elaboration and modification. Read More Here of Genesis 69, for instance, has been easily used to motivate endangered types defense and to show on the rising seas and mass extinctions connected with climate change.

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This paper shows the interpretive flexibility of the scriptural flood narrative by examining retellings of Noah's story in Jewish midrash, the Qur'an, nonreligious fiction, and impressive film. It then turns to our modern context to define the distinctive functions of an ideal retelling of the myth in these times of ongoing environment collapse, with explicit consideration of the significance of the human, the nature of the divine, and the possibilities for other-than-human firm.