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10 Easy Facts About Hal Leonard Emily Remler: Bebop And Swing Guitar - Long Described


Leonard Feather, although mindful not to personally implicate her himself, highlights this point. "Remler is typically told that her design represents Montgomery's"3. Remler herself was evidently not only knowledgeable about the concern but also plainly worried by it. "As early as five or 6 years ago I thought I sounded so much like I'm copying Wes Montgomery that why would anybody wish to listen."4Using an analytical technique to examine her improvised solos and comparing them to solos of the guitarists that she freely confesses are her primary influences, namely Wes Montgomery and Pat Martino this paper will try to recognize musical expressions and devices "taken" from Montgomery or Martino and used in her improvised areas.


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The decision to utilize Montgomery and Martino as likely sources of Jazz plagiarism on Remler's part was inspired by her own confession; "Wes Montgomery, Joe Pass and Pat Martino, these are individuals that influenced me"53Feather, L 1982. "Sophisticated's Lady Guitar player", Los Angeles Times 7 Feb 1982, p. 68. 4Remembering Emily.


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About Emily Remler


Emily Remler Interviewed in 1986 [Online] [Accessed 29 April 2014] Readily Available from Emily Remler Item or Prodigy4The impact of Joe Pass extends more to her solo arrangements, of which there are precious couple of on her studio recordings. This Site exist on bootleg live recordings of her shows, but the clearness of the recordings is not sufficient to make the sort of genuinely accurate musical analysis necessary for a study of this nature.


Possibly this will include weight to one side or other of the argument concerning formalised Jazz education and its methods, and shed some light on the benefits of total originality as unique from historical repeating. 5Bebop and Swing Guitar 1986, (video recording), New York, Hot Licks Productions. Emily Remler Item or Prodigy5Chapter 1 Emily Remler Biography In the interest of context it is important to comprehend Remler's roots and how she became a Jazz guitarist.


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Her early musical impacts were normal for teenagers of that age and area and consisted of the Beatles, Eric Clapton, Jimi Hendrix and Johnny Winter. She taught herself how to play B.B. King's and Eric Clapton's solos and in so doing established an unorthodox method. After graduating from high school (without the ability to read music) she required to decide whether to go to art school or to study music.






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