Not known Details About Radio Art - The Art of Relaxing & Meditation Music

I think about it as harmonic, softening the noises of the knives and forks at dinner, not dominating them, not imposing itself. It would fill up those heavy silences that at some point fall between good friends dining together. It would spare them the difficulty of paying attention to their own banal remarks.

To make such music would be to react to a requirement." In 1948, French author & engineer, Pierre Schaeffer coined the term musique concrte. This experimental style of music used recordings of natural sounds that were then customized, controlled or effected to develop a structure. Shaeffer's methods of utilizing tape loops and splicing are considered to be the precursor to modern day tasting.

The piece is intended to record the ambient sounds of the venue/location of the performance and have that be the music played. Cage has been pointed out by critical artists such as Brian Eno as influence. In the 1960s, numerous music groups explored with uncommon methods, with a few of them developing what would later on be called ambient music.

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Other authors working with tape recorders ended up being members and collaborators consisting of Pauline Oliveros, Terry Riley and Steve Reich. Their compositions, to name a few, contributed to the development of very little music (likewise called minimalism), which shares many comparable principles to ambient music such as repeated patterns or pulses, constant drones, and consonant harmony.

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Some 1960s records with ambient elements consist of and by Tony Scott, by Raymond Scott, and the very first record of the by Irv Teibel. In Read This , French composer liane Radigue composed a number of pieces by processing tape loops from the feedback between two tape recorders and a microphone. In the 70s, she then went on to make up similar music nearly exclusively with an ARP 2500 synthesiser, and her long, sluggish compositions have actually typically been compared to drone music.

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Establishing in the 1970s, ambient music originated from the speculative and synthesizer-oriented styles of the period. In between 1974 and 1976, American author Laurie Spiegel created her critical work The Expanding Universe, produced on a computer-analog hybrid system called GROOVE. In 1977, her composition, Music of the Spheres was consisted of on Voyager 1 and 2's Golden Record.