![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
Tomasz Dziubinski - Photography | profile | all galleries >> FRACTAL ART >> Fractal Art #1 | tree view | thumbnails | slideshow |
Digital Abstracts and Fractal Art
Fractal Art is a genre concerned with fractals' shapes or sets characterized by self affinity (small portions of the image resemble the overall shape) and an infinite amount of detail, at all scales. Fractals are typically created on a digital computer, using an iterative numerical process. Lately, images that are not technically fractals, but that share the same basic generating technique and environment, have been welcomed into the FA world. Fractal Art is a subclass of two dimensional visual art, and is in many respects similar to photography - another art form which was greeted by skepticism upon its arrival. Fractal images typically are manifested as prints, bringing Fractal Artists into the company of painters, photographers, and printmakers. Fractals exist natively as electronic images. This is a format that traditional visual artists are quickly embracing, bringing them into FA's digital realm.
Fractal Art is:
~Expressive. Through a painter's colors, a photographer's use of light and shadow, or a dancer's movements, artists learn to express and evoke all manner of ideas and emotions. Fractal Artists are no less capable of using their medium as a similarly expressive language, as they are equipped with all the essential tools of the traditional visual artist.
~Creative. The final fractal image must be created, just as the photograph or the painting. It can be created as a representational work, and abstraction of the basic fractal form, or as a nonrepresentational piece. The Fractal Artist begins with a blank "canvas", and creates an image, bringing together the same basic elements of color, composition, balance, etc., used by the traditional visual artist.
~Requiring of input, effort, and intelligence. The Fractal Artist must direct the assembly of the calculation formulas, mappings, coloring schemes, palettes, and their requisite parameters. Each and every element can and will be tweaked, adjusted, aligned, and re-tweaked in the effort to find the right combination. The freedom to manipulate all these facets of a fractal image brings with it the obligation to understand their use and their effects.
Annalela | 17-Sep-2008 05:09 | |
Guest | 05-Jun-2008 19:14 | |
Rosemarie Kusserow | 12-Dec-2007 07:50 | |
Guest | 14-Jun-2007 04:13 | |
Jeremy Poon | 14-Feb-2007 03:16 | |
G.Pietro Munaretto | 12-Dec-2006 12:49 | |
Gervan | 05-Dec-2006 07:14 | |
Konrad Busslinger | 13-Mar-2006 06:23 | |
Jola Dziubinska | 28-Dec-2005 14:13 | |
Guest | 16-Dec-2005 09:42 | |
Hodero | 01-Dec-2005 20:22 | |
Yi Feng | 10-Oct-2005 23:50 | |
Matylda Lempel-Chareza Photography | 07-Oct-2005 19:45 | |
yosi aptekar | 07-Oct-2005 17:52 | |
Guest | 16-Sep-2005 11:41 | |
Graham Tomlin | 04-Sep-2005 06:00 | |
Marek Kacprzak | 02-Sep-2005 04:54 | |
Guest | 30-Aug-2005 18:57 | |
Guest | 29-Aug-2005 22:06 | |
Yiannis Pavlis | 28-Aug-2005 04:04 | |
Hanna | 19-Aug-2005 21:53 | |
Matylda Lempel-Chareza Photography | 19-Aug-2005 10:18 | |
sherri | 07-Jul-2005 18:55 | |
Kasia | 07-Jun-2005 20:37 | |
Manfred Bachmann | 20-Apr-2005 18:55 | |
joellent | 05-Apr-2005 02:58 | |
t t | 27-Mar-2005 12:42 | |
yosi aptekar | 22-Mar-2005 18:24 | |
Guest | 20-Mar-2005 15:19 | |
Matylda | 13-Feb-2005 22:15 | |
Guest | 13-Feb-2005 22:14 | |