photo sharing and upload picture albums photo forums search pictures popular photos photography help login
The Hole in the Trees Skybox | all galleries >> Deep Sky >> Clusters > NGC 457
previous | next

NGC 457

The Owl Cluster in Cassiopeia

NGC 457 was discovered by William Herschel in 1787. It lies about 7,900 light years away and is estimated to be 21 million years old. (Source: Wikipedia.) The cluster is nicknamed the Owl Cluster for the two bright stars Phi Cassiopeiae (magnitude 5) and HD 7902 (magnitude 7), which could be the eyes of an owl. It’s also often called the E.T. Cluster from the movie character, with Phi Cas and HD 7902 again forming the eyes, and the red supergiant V466 Cas as the alien’s glowing finger.

The cluster features a rich field of about 150 stars of magnitudes 9-13. The bright stars in the cluster, all of them supergiants, are a study in spectral types. The main body of the cluster consists of a host of blue stars of spectral types B1 to B3, while HD 7902 is type B6, slightly less blue. Phi Cas, on the other hand, is a comparatively F0 supergiant. If it’s really a member of the cluster, it’s one of the brightest known stars, even brighter than Rigel. (Source: Burnham.) The intense red V466 is a deep red M0, while the orange star HD 236690, at lower left, is Type K2. A parallax measurement listed in SIMBAD indicates that the latter star is a foreground star rather than a true member of the cluster.


Exposure: Total exposure time about 12.6 hours, 191:82:56:50 x 2 minutes LRGB. All bin 1x1. Data collected in August 2020.
Light pollution: SQM ~18.38 (Bortle 7-8, NELM at zenith about 4.5, Red/white zone border.)
Seeing: FWHM of integrated luminance around 2.0 arcsecs
Image scale at capture: 0.6 arcsecs/pixel = f/5.7
Scale of presentation: 1.2 arcsecs/pixel (50% reduction)

Equipment:
Scope: C11 (standard, not Edge) with Celestron 0.63 reducer
Mount: Paramount MX+, connected via ASCOM Telescope Driver 6.1 for TheSkyX, with MKS 5000 driver 6.0.0.0
Camera: SXVR-H694, connected via SX ASCOM driver 6.2.1.17140 (SX 1.2.2 also installed)
Filter wheel: Atik EFW2 with 7x1.25 carousel and Artemis 2.4.3.0 driver
Filters: Astrodon Type IIi LRGB
Rotator: Optec Pyxis 2", connected via Andy Galasso's 0.4 driver (Optec Pyxis Rotator AG)
Focuser: Rigel Systems GCUSB nStep motor with driver version 6.0.7 on stock Celestron focuser
OAG: Orion Thin OAG
Guide cam: Lodestar (first generation). 4 second exposures
Automation SW: Sequence Generator Pro 3.1.0.457
Guide SW: PHD 2.6.7, connected to guide cam via native SXV driver
ASCOM: ASCOM 6.3.0.2831
Platesolving: PlateSolve 2, failover to local Astrometry.net 0.19 server
Collimation: Metaguide 3, using ASI120MM connected via ZWO Direct Show driver 3.0.0.2
Processing Software: Pixinisight, Affinity Photo, Photoshop CS2

Processing Workflow by Workspace in PixInsight 1.8.8:

1. Calibration
Calibration with WeightedBatchPreProcessing with flats and bias, using Cosmetic Correction with a master dark
Blink to preview and reject a few frames
Weighting and registration with WBPP

2. Stack and Mure Denoise
Image Integration on each channel
Mure Denoise on each channel
RGB Combination for RGB frames
Dynamic Crop
Dynamic Background Extraction

3. Luminance Linear Processing
(I skipped PSF-based deconvolution – see the next step)

4. Luminance Stretching
STF Transform, copied to Histo Trans and slightly adjusted. This was easier than my standard approach of combining HT and Curves Trans.
Parametric Deconvolution. I’m finding that on clusters this gives better results than a PSF-based Deconvolution on the pre-stretched luminance. Stars have sharp edges, while deconvolution on the pre-stretched image often results in star halos.
TGV Denoise

5. RGB Linear Processing
Photometric Color Calibration, using Average Spiral Galaxy white reference

6. RGB Stretching
Histo Trans
Curves Trans to boost saturation
Masked Stretch
Curves Trans
TGV Denoise
Boost blue saturation with Color Saturation

7. Color Combination
LRGB Combination of Luminance and RGB images
Port to Photoshop to repair microlens artifacts (Phi Cas showed slight microlens artifacts - first time I’ve ever seen that, but not unexpected since the star is 5th magnitude) and color fringes
Use burn and dodge brushes at very low strength (1-3%) for microlens repairs
Use Gaussian Blur on the color fringes around Phi Cas and HD 7902, setting the blending mode to color to avoid damaging the luminance
Port back to Photoshop as a TIF

8. Background Subtraction
 a. Create an image of the background:
   1. StarNet++ to create an image without most of the outlying stars. This leaves a bright blotch for the core of the cluster.
   2. Modify the starless image in Photoshop:
     a. Use the Healing Brush and CloneStamp tools to remove halos, leaving only the background
    b. Apply a heavy Noise Reduction filter so that noise is not removed during the subtraction process.
 b. Subtract the background image from the original image (using Image>Apply Image) to remove optical artifacts (rings in the image) and any remaining messy clumps in the background. Use a mask to prevent the bright core of the cluster itself from being subtracted, and adjust the offset to get the right background brightness.
 c. Save as TIFF and move back into PI

9. Star Reduction
I used a modified version of Adam Block’s star reduction technique:
 StarNet to create a new “Starless Image”
 Extract two copies of luminance from the Galaxy Image, then apply a 6-layer MLT, unchecking the residual layer, to one to create a rough star mask.
 Binarize to eliminate everything fainter than star cores
 MorphTrans using dilation to enlarge the stars
 Edit the mask with CloneStamp to exclude any background galaxies
 Convolution to blur star edges
 Pixel Math: subtract luminance image from blurred star mask so that cores are excluded from mask, and on ly halos are represented in the mask = “Halo Mask”
 Apply Halo Mask to main image, then run PixelMath to use Starless Image where halos otherwise would be

10. Final
Final Histogram Transformation to darken background
ICC Profile Transform to sRGB
Resample at 50% scale
Save as JPG


other sizes: small medium large original auto
comment | share