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tear your gallbladde


Ahn Jung-geun, a symbol of "anti-Japanese" and "patriotism," was raised by Koreans who heard the news after the Harbin uprising in hopes of "Korean independence" amid Japanese aggression and oppression. In particular, Ahn Jung-geun was a real person, not an imaginary person, so he became more specific and visually disseminated to the public through modern printing media.

Photographs and postcards of Ahn Jung-geun were secretly distributed under the supervision of the Japanese colonial government. In a document written under the direction of the chief of staff of the Joseon Governor-General's Office in July 1911, Ahn Jung-geun's picture postcard was found in the houses of figures with anti-Japanese sentiment, and Ahn Tae-guk, a group of Ahn Jung-geun's photos were copied and hung on the wall, and Hong Eun-hee, a graduate of Shinjang Girls' School, as well as a man, carried the portrait of Ahn Jung-geun in her heart.

It is well known, but Song Hak-seon, who killed a member of the Gyeongseong branch outside Kumho Gate in 1926, also said he wished to be the same after seeing Ahn Jung-geun's photo three years ago.

Although he no longer sings, songs about Ahn Jung-geun were also popular. Among them, one of the trends of the 1930s is as follows. One of the numbers was "a song that cursed XX people of young ahee."
Quite amusing and ingenious. It was a song that symbolized Ahn Jung-geun's killing of Ito Hirobumi. At that time, he evaluated this song as a masterpiece, although it had only a few decades of history, as it was a song that was created after XX's death by a Joseon people.

In spite of the Japanese colonial rule, the inheritance of Ahn Jung-geun's memory continued through photos and songs, and he was still revered as a symbol of anti-Japanese resistance throughout the Japanese colonial period. A photo of Ahn Jung-geun was an irreplaceable source of passion for Korean independence, and a song honoring him was an expression of his will that burst out of his heart.
However, after the liberation, Ahn's image gradually lost its heat and separated from reality. The vivid Ahn Jung-geun image, which was actively created in accordance with the needs of the times, gradually lost its vitality and was stuffed and reproduced and disseminated as an abstract image that forced loyalty to the country. Just like those in Japanese textbooks and those in inherited moral textbooks, only virtue remains.

The image of Ahn Jung-geun is still circulating in children's biographies bleached. Ahn Jung-geun is known to have one of the most great figures in Korea. Ahn Jung-geun appeared in various collections of great men, and about 150 children's books were published.

However, compared to many of these numbers, the content as a whole has a fairly similar pattern. This seems to be due to the fact that the early Ahn Jung-geun's biography continued to be mass-produced by several writers and later, fairy tale writers accepted the framework without much change, becoming a model. In particular, the lower the target age, the smaller the amount and more pictures, and the more creative the fairy tales were created.

Analyzing the structure of these great fairy tales, Ahn Jung-geun's birth and childhood life are described as legends and various anecdotes are created. Many anecdotes are cliche and relate to the virtues of honesty, courage, wisdom, and so on. Created anecdotes vary widely but are excessively educational.

In the part of Ahn Jung-geun, who is good at hunting, Ahn Jung-geun enjoys hunting, but he also explains that he does not kill animals and only kills bad animals that harm people with hunting guns. Most of the pictures of animals killed show the commonality of wild boars.
In a book, Ahn Jung-geun and Ito Hirobumi are all described as going to hell, while Ahn Jung-geun is described as staying in hell forever because he killed one person, staying in hell for a while, going to heaven, and Ito has killed so many people. As such, "murder" avoids confusion in the moral value of "crime" and it is quite difficult to explain the legitimacy of Ito's treatment educationally.

Therefore, in most cases, it is devoted to the imprinting of ito as 'evil' by editing ito's insidious and wicked paintings, emphasizing it's fault very aggressively. This is linked to visual and stimulating parts such as "dan," the bloody Taegeukgi, and the scenes of Ito's execution, which have the effect of remembering only certain aspects of Ahn Jung-geun's various sides.

Abstracts such as his values and peace ideas, which are difficult to explain, are not described or come out of nowhere. Ahn's participation in the enlightenment movement and the process of trial are often not mentioned. Another interesting trend is that the older Ahn Jung-geun is, the more he is impressed by Ahn Chang-ho's speech, and is portrayed as if he is going abroad.

It seems that Ahn Jung-geun has a deeper relationship with Kim Koo than Ahn Chang-ho's influence, as Kim Gu has recently received attention.
In addition, among Ahn Jung-geun's yumuk, "If you don't read a book even for a day, you will get thorns in your mouth." Have you ever felt something doesn't suit you in the entire storytelling?
"He cares about national security and cares for it." "He is the duty of a soldier who has devoted himself to me." "If he gains, think of righteousness and sacrifice his life if he sees danger." "Even though the father dies, his heart is like iron, but his doctor is in danger, his heart is like a cloud."
There are also empty suspicions that Ahn Jung-geun's character is intended to be borrowed educationally by emphasizing the lofty character, whether it is because it is easy for young children to accept it for the first time, or that it may be a strategy of the publishing industry.
The anecdote that Ahn Jung-geun, who appears everywhere, asked about his wish when he was executed and said, "I'm reading all the books I'm reading now," makes me wonder where he came from. As far as I know, the last thing Ahn wanted was the three cheers of "Long Live the Peace of the East," but he was rejected by Jeon Ok.
Although the fairy tale about Ahn Jung-geun is still the mainstream, the publication of children's fairy tales that deal with him or close to children's fairy tales is also increasing. In particular, it is notable that the "An Eung-chil History" or Oriental Peace Theory is refined easily by children's readers, or that addendums and background explanations are strengthened to obtain knowledge on history.
In addition, a new attempt has been made recently to reflect on the great man-made exhibition for children and to make history documentary based on the demands of the times. The volume of writings increased and the level of content increased compared to the past, citing improved essay writing and integrated thinking. However, I still think that Ahn's life should be complemented in the future by conveying miscellaneous knowledge rather than Ahn's life, moving away from the original purpose of the great man's life and reflecting on his own life.
Ahn Jung-geun's exhibition is mostly made for infants and elementary school students. But it is very difficult to convey each great man's life to children. Therefore, fairy tale writers will create various anecdotes by delivering fun and lessons with a background of stimulating paintings to suit children's eyes and attract interest.
In the case of senior elementary school students, it was designed as a supplementary material for the curriculum and became like a well-packaged comprehensive gift set. The reader distanced himself from the great man and made him appreciate their lives. The current great exhibition cannot properly publicize Ahn's life, but it can only lead to misunderstanding.
In some cases, uniform and common-sense values for Ahn Jung-geun have been lost. Loyalty to the nation, patriotism, and above all, are important values, but the methods and contents of implementing them are missing. Especially for children and teenagers, planning is important.
But they are still lethargic and often merely follow the past without much thought, distorting the life of a great man or conveying his personal values. A great man like the present is somehow distancing himself from the great man.
A person who has nothing to do with himself, drives the reader like a person who can never reach him. As things stand now, great people do not offer realistic answers to readers who wander, conflict and worry about life, especially teenagers. In this regard, it is actually appropriate to make the exhibition a target for teenagers who are concerned about the value of life rather than for children.
It is well known that Ahn Jung-geun died in a dignified manner, hoping for "Korea independence" and "East peace" until his death. But that doesn't mean there was no human conflict or concern. He was furious that the only choice he had given him for doing righteous things was the "death penalty."
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"Isn't that something that's just going to break your head and tear your gallbladder? "What have I sinned, what have I sinned?" he said in anger. Then he realized loudly and clapped his hands and laughed loudly. "I am indeed a great sinner.

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