SAINT MARY MAJOR
13 th AD

________PILGRIMAGE NOTES______

On our second day at Rome, we visited the major basilica and catheral of Rome. The main Mass of the day and the highlight of the Rome pilgrimage was essentially celebrating the Mass. We were fortunate to secure a time slot at Santa Maria Maggiore for our Mass. The Mass was held in a large shrine (name unknown yet) for 50 plus people, the place was upmost magnficient, and splendor above all of the churches so far, of course here was Rome. We had our second priest and another resident to-be-priest (deacon) studying at Rome presided over the Mass, a sponsored of one our pilgriamge members. We said goodbye to the deacon afterwards, who was later ordained in 2008.

After the Mass we had about 15 minutes to see the rest of the church, and out to the bus. Time was precious, so were the captured images.

_______________SAINT MARY MAJOR_____________

The Basilica di Santa Maria Maggiore, Italy, known also as St Mary Major, English, is an ancient Catholic basilica of Rome. It is one of the four major or four papal basilicas, which together with St. Lawrence outside the Walls, were formerly referred to as the five "patriarchal basilicas" of Rome, associated with the five ancient patriarchal sees of Christendom. The other three papal or major basilicas are St. John Lateran, St. Peter and St. Paul outside the Walls. Santa Maria Maggiore is the only Roman basilica that retained the core of its original structure, left intact despite several additional construction projects and damage from the earthquake of 1348.
The name of the church reflects two ideas of greatness ("major"), that of a major (or papal) basilica and that of the largest (major) church in Rome dedicated to the Blessed Virgin Mary.
After the Avignon papacy formally ended and the Papacy returned to Rome, the Basilica became a temporary Palace of the Popes due to the deteriorated state of the Lateran Palace. The papal residence was later moved to the Palace of the Vatican in what is now Vatican City.
Santa Maria Maggiore is often personally used by the pope. Most notably, the pope presides over the annual Feast of the Assumption of Mary, celebrated each August 15 at the basilica. A high, canopied altar dedicated to the pope is used by the pope alone � except for a choice few priests including the archpriest. The pope gives charge of Basilica di Santa Maria Maggiore to an archpriest, usually an archbishop made cardinal in consistory. The archpriest was formerly the titular Latin Patriarch of Antioch, a title abolished in 1964.
The current archpriest of the Basilica di Santa Maria Maggiore is Cardinal Bernard Francis Law; John Paul II assigned Cardinal Law to this position after his resignation as Archbishop of Boston on December 13, 2002. In addition, Redemptorist and Dominican priests serve the church daily � offering confessions and administering other sacraments.


__________HISTORY______________

Pope Liberius commissioned the construction of the Liberian Basilica, circa 360. According to the founding legend in the 13th century, he wanted a shrine built at the site where an apparition of the Blessed Virgin Mary manifested herself in identical dreams shared by a local patrician and his wife and by the pope under a miraculous snowfall that took place on the night August 4-5, 352. The legendary Miracle of the Snow was depicted by Masaccio and Masolino about 1423 in a triptych, now conserved in the Museo di Capodimonte, Naples. In it the miracle is witnessed by a crowd of holy men and women and observed from above by Jesus and the Virgin Mary. Dedicated to the Blessed Virgin Mary under the title of Our Lady of the Snows, local Roman Catholics commemorate the miracle on each anniversary by dropping white rose petals from the dome during the feast mass.


_____________The Piazza and Church of Santa Maria Maggiore___________
by Giovanni Paolo Pannini

The precise location of that first church has been lost. The present building dates from the time of Pope Sixtus III (432 - 440) and contains many ancient mosaics from this period. The Athenian marble columns supporting the nave are even older, and either come from the first basilica, or from another antique Roman building; thirty-six are marble and four granite, pared down, or shortened to make them identical by Ferdinando Fuga, who provided them with identical gilt-bronze capitals. The campanile, tallest in Rome, was constructed in the fourteenth century. The basilica's 16th-century coffered ceiling, to a design by Giuliano da Sangallo, is said to be gilded with Incan gold presented by Ferdinand and Isabella to the Spanish pope Alexander VI. The medieval bell tower is the highest in Rome, at 240 ft. The apse mosaic, the Coronation of the Virgin, is from 1295, signed by the Franciscan friar, Jacopo Torriti. The Basilica also contains frescoes by Giovanni Baglione, in the Cappella Borghese.

The 12th-century fa�ade has been masked by a reconstruction, with a screening loggia, that were added by Pope Benedict XIV in 1743, to designs by Ferdinando Fuga that did not damage the mosaics of the fa�ade. The wing of the canonica (sacristy to its left and a matching wing to the right (designed by Flaminio Ponzio) give the basilica's front the aspect of a palace facing Piazza Santa Maria Maggiore. To the right of the Basilica's fa�ade is a memorial representing a column in the form of an up-ended cannon barrel topped with a cross: it was erected by Pope Clement VIII immediately after the St. Bartholomew's Day massacre of Protestants, though today it is reputed to celebrate the end of the French Wars of Religion.

The Marian column erected in 1614, to designs of Carlo Maderno is the model for numerous Marian columns erected in Catholic countries in thanksgiving for remission of the plague during the Baroque era. The column itself is the sole remaining from Constantine's Basilica of Maxentius and Constantine in Campo Vaccino, as the Roman Forum was called until the 18th century; Maderno's fountain at the base combines the armorial eagles and dragons of Paul V.

The column in the Piazza celebrates the famous icon of the Virgin Mary in the Pauline chapel of the Basilica. It is known as Salus Populi Romani, or Health of the Roman People, due to a miracle in which the icon helped keep plague from the city. The icon is at least a thousand years old, and tradition holds that it was painted from life by St Luke the Evangelist; radiocarbon dating establishes the age of the icon to be approximately 2,000 years, thus reinforcing its sacred tradition.


_______________RESTORATRION___________

The basilica itself was restored and extended by various popes, including Eugene III (1145-1153), Nicholas IV (1288-92), Clement X (1670-76), and Benedict XIV (1740-58), who in the 1740s commissioned Ferdinando Fuga to build the present fa�ade and to modify the interior. The interior of the Santa Maria Maggiore underwent a broad renovation encompassing all of its altars between the years 1575 and 1630.


_______________Major Works of Art in the Basilica___________

Early Christian mosaic cycle depicting Old Testament events, 5th century
Salus Populi Romani, a much venerated early icon of the Virgin and Child.
Funerary monument of Clement IX (1671) by Carlo Rainaldi with the papal bust is by Domenico Guidi.
Temporary catafalque for Philip IV of Spain designed in 1665 by Rainaldi
Funerary monument of Pope Nicholas IV, designed by Domenico Fontana in 1574.
Bust of Costanzo Patrizi by Algardi.
Sacristy frescoes by Passignano and Giuseppe Puglia,
Saint Cajetan holding the Holy Child, by Bernini.
High altar sculpture by Pietro Bracci, (c. 1750).
Bust of Pius IX (1880) by Ignazio Jacometti.
Pauline Chapel frescoes, by Guido Reni
Frescoes for the monument of Clement VIII, Lanfranco
Cesi Chapel tombs by Guglielmo della Porta
Altar, confessio and Presepio (crib) sculptures by Arnolfo di Cambio, about 1290


_______________The CAPELLA SISTINA and the CRYPT of the NATIVITY_______________

Below the sanctuary of Basilica di Santa Maria Maggiore is the Crypt of the Nativity or the Bethlehem Crypt, which is the burial place for prominent Catholics, including Saint Jerome, the 4th century Doctor of the Church who translated the Bible into the Latin language (the Vulgate); popes; and Gianlorenzo Bernini. Saint Ignatius of Loyola presided over his first mass as a priest on this altar on December 25, 1538.

The decoration of the Sistine chapel of Santa Maria Maggiore, which should not be confused with the more famous Sistine chapel of the Vatican, was commissioned by the administration of Pope Sixtus V. The architect Domenico Fontana was called to design the chapel to house the presumptive relics of the Nativity crib. The original Nativity Oratory, with the presepe built in the XIII century by Arnolfo di Cambio, is below the chapel. The chapel contains the tombs of Sixtus V and his early patron Pius V (design by Fontana and statue by Leonardo Sarzana). The statue of Sixtus V was sculpted by Giovanni Antonio Paracca, called il Valsoldo. The main altar in the Chapel has four gilded bronze angels by Sebastiano Torregiani, along the ciborium.

The Mannerist interior decoration was completed (1587-9) by a large team of artists, directed by Cesare Nebbia and Giovanni Guerra. While the art biographer, Giovanni Baglione allocates specific works to individual artists, recent scholarship finds that the hand of Nebbia drew preliminary sketches for many, if not all, of the frescoes. Baglione also concedes the roles.


Vatican official website of the Basilica
http://www.vatican.va/various/basiliche/sm_maggiore/index_en.html

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