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Phil Douglis | all galleries >> Galleries >> Gallery One: Travel Abstractions -- Unlimited Thought > Downpour, Hanoi, Vietnam, 2007
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19-DEC-2007

Downpour, Hanoi, Vietnam, 2007

I made this image from the front seat of a tourist bus during a rainsquall. Our bus was parked at a curb outside of our hotel when the rain hit. My auto-focus camera focused on the window because it was covered with rain. Normally, it would have focused on the closest subject beyond the window. This caused the man standing in front of the bus with his bicycle to become a soft abstraction. Yet the image is abstracted two more times. My vantage point is behind the man, making him unidentifiable. He becomes everyman, a symbol of the stoic Hanoi residents who have over the years endured French colonial rule, American bombing raids, and eternally bad weather. Ultimately, the sharply focused rain itself becomes the subject of this picture, further obscuring the man. The rivulets and drops of water create an abstract pattern of their own, creating a matrix of symbolic sadness.

Leica V-Lux 1
1/125s f/4.0 at 34.5mm iso200 full exif

other sizes: small medium large original auto
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Phil Douglis31-Mar-2009 00:17
Thanks, Bruno. The photograph looks older because of the implied costume of the man -- it is timeless. Thanks, too, for your interest in my galleries.
Guest 30-Mar-2009 21:23
love this shot
but i get this feeling ( i don't know why) that its a much older photograph.
interesting galleries to which i will be coming back
bruno bosch
Phil Douglis20-Feb-2009 23:46
Thanks, Rick -- I couldn't see him in detail because of the rain soaked window, but I did not see many people wearing conventional western style suits in Hanoi. Most of the men wore working clothes with heavy jackets and hats. I like that you sense pride here -- it is in his bearing, and still offers another human value to consider.
Rick Bricker20-Feb-2009 22:58
I love this caught in the moment image.My perception is of a proud man.His attire looks like a suit with matching cap,quite possibly his one suit of nice clothes,making his way as best he can in this world.It evokes thought.
Phil Douglis28-Jan-2009 21:04
Thanks, Shawn, for commenting on the role of evoked emotions here -- abstract images not only stimulate the imagination, but can go beyond and stimulate the emotions and even the intellect. Any photograph that can provoke responses in all three of these areas can truly be called expressive. I made this image intuitively -- I did not carefully consider all of the things you mention. I reacted to the presence of the abstracted figure before me and shot this image. Later, when I transferred the image to my laptop computer and saw all of things that you saw. I felt safe in my dry hotel room, and sorry for this man who must have been soaked to the skin on this cold winter day in Hanoi.
Guest 28-Jan-2009 18:36
I like the shallow depth of field and the rain that flows like tears on the glass of the bus window. I am drawn to the small amounts of color in the image as if life-rafts of hope in a dismal scene. The color in the image as well as the shapes are what draw me beyond the raindrops and into the scene of the cyclist on the street. I like the the emotions this image invokes such as the safety of a dry place.
Phil Douglis03-Jan-2009 17:48
Thanks, Nancy, for coming to this image, reading all of the comments, and leaving your own incisive thoughts. You begin with aesthetics, and end with your imagination providing a story. Such is the nature of expressive imagery based on abstraction. I have tried to tell a story of life in Vietnam here on the cold rainy streets of Hanoi, but that story does not take flight until you process it through your own life experiences. I am always thrilled when a viewer is able to make so much more out of an image than I intended. I simply began by abstracting a commuter in a veil of symbolic sadness, and you have taken the story from there and made it your own.
Nancy Good03-Jan-2009 15:22
This abstract is one that expresses so many things at once. I love the discourse of comments as our eyes are open to see how you see as well as how others see. When I first saw this photo (before reading anything about it), I was struck by how beautiful the muted grays are, made even more so by the shimmer of the water dancing over the scene. Then using the filter of that beauty I realized that the man appeared to be in line, waiting behind another motor vehicle and I began to hear the sounds, breathe in the smells of the street, dampened with the rain. The beauty is still there, but it slips to the background as I consider that he's in a heavy coat (is it cold?), what is he waiting for as he is caught between your bus and the car in front, etc? The story can play out in unlimited ways because of our individual histories, likes and dislikes. It's simply a beautiful photo, Phil, and it speaks volumes. Thank you for that.
Phil Douglis27-Feb-2008 19:31
The great thing about metaphorical expression, Tim, is that everyone gets to interpret the metaphor in his or her own way. I love your interpretation here -- a rain splashed window as a cultural prism. Given the sadness of Vietnam's cultural history, it could also be soaked with tears.
Tim May27-Feb-2008 16:57
Hey, you know Tim, he tends to see metaphors everywhere, but this images splashes it in my face - so to speak. This image is for me a metaphor for the way we view different cultures, it is always through the rain soaked vision of our own culture. Here we get a glimpse of the life lived by this man, from the comfort of our bus. The red is, for me, evocative of the blood soaked history of the country.
Phil Douglis24-Feb-2008 00:31
Glad this image will change the way you think about rainy windows, Karen. They can be an abstracting medium, taking away detail and simplifying the image in the process. Yet because glass is transparent, the light becomes luminous and helps define the idea. Thanks for recognizing this.
Guest 23-Feb-2008 14:03
What a great perspective! I will never look out of a rainy window the same ~ thanks!
Phil Douglis12-Feb-2008 18:32
It is great to have you back in my galleries, Dandan. You and I have had many discussions over the years about cropping, and it always comes down to what we are trying to say. If we want this image to be a lifeless portrait of a Hanoi cyclist, we take the red lights out. But if we want to energize the image by creating a stir at the edge of the photo, we keep them in. As Barry note, those splashes of color bring a sense of urgency to the image.
Guest 12-Feb-2008 06:18
Phil, very interesting on the color. When I saw the picture first, I wanted to crop out the lights at the top. But as you said, the color adds energy to the picture, with it, the image becomes lifeless...
Phil Douglis29-Jan-2008 23:37
Yes, this is the kind of example I would have sent you back then. The interplay of blur, water pattern, and silhouetted man with his bike make the image express what i was trying to get across here. Thanks for rekindling old memories, Kal.
Phil Douglis25-Jan-2008 20:13
I feel like this man when my partially torn ACL in my knee acts up and I can't walk very well -- only hobble along. Everyone is walking past me briskly, without pain. Yet for me, each step is labored and painful. So yes, I know what you are thinking here, Vera. We have our warm, dry bus, and in a moment we will be gliding alway, leaving him to struggle in the pouring rain. Expand the theme, and you have the story of life itself. As we age, things that were easy become harder, sometimes monumentally so. I am now in my elder years, so I have particular empathy for him. I am encouraged that you, still in the prime of life, have empathy for him as well.
Guest 25-Jan-2008 14:39
Yes, that is it...empathy. And to top it all off, he is pushing his bike as if something is broken with it. Seems like everything life is such a struggle for this old man.
V.
Phil Douglis24-Jan-2008 18:21
As I said in the last line of my caption, this image is a matrix of symbolic sadness. That was my intention from the start, and I am glad you see the rain as tear drops, Vera. We do feel the moment, and we feel for this old man out there in the rain while we, as you say, remain safe and dry. It is called empathy, and empathy is a human value.
Guest 24-Jan-2008 13:39
I love this. It is so abstract but lets us feel the moment. You safe and dry... :-) The rain is like tear drops.
Phil Douglis20-Jan-2008 21:29
Thanks, Barry, for this comment about the contrasting colors here. The bright blue object in his basket, and the shimmering red tail lights at the top of frame bring energy to this image, which can certainly be interpreted as a sense of urgency.
Barry S Moore20-Jan-2008 10:12
I like the limited colour of the picture too. The gloomy tone is offset my the small bright blue and the red tail lights. There is a sense of urgency in these splashes of colour.
Phil Douglis20-Jan-2008 02:09
Thanks, Mo. There are pictures everywhere -- even from tourist buses. But I am glad it was my turn to sit in the front seat of our bus that day -- otherwise I would have missed this shot.
monique jansen19-Jan-2008 10:26
Beautifully abstracted - you have a knack of seeing things even from the window of a tourist bus.
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