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Phil Douglis | all galleries >> Galleries >> Gallery Fifty Two: implying motion by using expressive blur > Panning, Chau Doc, Viet Nam, 2007
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07-JAN-2008

Panning, Chau Doc, Viet Nam, 2007

We were having dinner in an outdoor café in downtown Chau Doc, a Mekong Delta town not far from the Cambodian border. The sun had set, and darkness was at hand. It was a perfect time to experiment with pan shots. A pan shot is shorthand for panoramic shot. We make a pan shot by choosing a slow shutter speed (in this case, ˝ second), and then gently swinging the camera in the same direction and at the same speed as a passing moving subject. In this case a rickshaw was carrying a local lady home from work. As the rickshaw cycled past, I gently moved the camera parallel to the moving subject. The background becomes a mass of blur, because it was not moving. The moving subject, however, is not only recognizable, but its own blur gives it a sense of fluid movement. I must have made 50 pan shots that evening, without moving from our dinner table. I liked about six of them. And this was my favorite.

Leica V-Lux 1
0.62s f/2.8 at 7.4mm iso100 full exif

other sizes: small medium large original auto
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Phil Douglis07-Feb-2008 20:09
Yes, you were sitting right next to me making your own pans. We were amazed at how the digital sensor records light where there is very little of it. I agree -- not only are pans all feeling and little reality, they are all expression, purely and simply.
Tim May06-Feb-2008 23:34
Another aspect of the slow shutter speed is the fact that image seems so bright. I was there, I know how dark it was. Pans are in some ways an ultimate tool of expressive photography - they are almost all feeling, and very little reality. No post card here.
Phil Douglis29-Jan-2008 23:45
Thanks for pointing out the softening of the colors here through blur. You show us that blur not only expresses movement. It can also express the feel of the place and moment itself. And that is what is happening here, Jenene.
JSWaters29-Jan-2008 21:29
I know the percentages of good pan shots from my own experience shooting the racecar. But it's well worth the effort when you make a successful one. I love the way the movement softens all the colors and makes this almost dreamy in feel - it adds nicely to romantic notion we associate with this method of transportation.
Jenene
Phil Douglis21-Jan-2008 05:04
It was hard to compose this image, Alina -- with pan shots, we have no idea how the image is going to work, or where the elements will appear. We can only shoot again and again and hope that somehow everything will come together in one shot -- varying degrees of blur in subject and background, effective positioning, and evocative colors. Almost everything is left to chance. And that is what happened here. All the images that fail go in the trash.
Alina20-Jan-2008 22:46
Beautiful pan shot. I like colors and composition.
Phil Douglis19-Jan-2008 20:50
Thanks, Mo -- this is more than a demonstration of panning. It is the story of Vietnam, a place where rickshaws can replace taxicabs and the pace is often frenetic.
monique jansen19-Jan-2008 09:53
I can see why you like this particular one, I do too.
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