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Phil Douglis | all galleries >> Galleries >> Gallery Thirty Six: Adding or subtracting context to clarify or extend meaning > In the park, Phoenix, Arizona, 2007
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08-MAY-2007

In the park, Phoenix, Arizona, 2007

This is the second of two back-to-back images that feature similar subjects, yet in entirely different contexts.

In the previous image ( http://www.pbase.com/image/78566604 ) we saw a smoker backed into a concrete corner.
This image gives us a man on a park bench, blowing a plume of smoke into the air. He lives in a senior citizens residence, and can’t smoke in his room. And so, a park becomes his parlor. He sits instead of stands. He holds his cigarette high, instead of low. He rests his other hand on the back of the bench, instead of holding it close to his body. He seems utterly relaxed. The bench, trees, and green grass become the context for this image. He seems to take genuine pleasure in this moment. We have photographed essentially the same activity as in the previous image, but largely because of context, the story here becomes an entirely different one. As I note in the introduction to this gallery, photographic context is the great clarifier. To see something in context is to better understand it. If we take something out of its context, it will change the meaning entirely.

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Phil Douglis28-May-2007 18:55
You make some critically important observations here, Celia -- underscoring the contrasts between this image and the one on the previous page. Thanks for pointing out the essential differences regarding the environmental contexts of these two images. In the previous shot, the woman was surrounded by the unyielding walls of corporate America. In this image, the smoker is surrounded more by the work of nature than the work of man. And just this single factor makes it seem as if he smokes for pleasure, while the woman in the previous example seems to smoke because she must. Yes -- he has choices. Sun or shade? No time constraints. He does not work. He plays. The woman in the previous image did not have such choices. This comparison of images illuminates my belief that in expressive photography, WHAT we shoot does not matter as much as HOW and WHY we shoot. These images are essentially the same in terms of subject, yet entirely different in terms of execution. The result: two entirely different stories. Thank you for your lucid observations, as always, Celia.
Cecilia Lim28-May-2007 14:28
You're right Phil - a different environment and context completely changes the mood and meaning of the image, even though this man is doing the exact same thing as the office worker. Here his surroundings are calmer and more relaxing. He appears to be a recreational smoker - he smokes for the pure enjoyment of it, whereas the office woman seems to be smoking out of neccessity! There's nothing in this environment inhibiting him, and his spirits appear to be higher. I notice that he has not chosen to sit in the other bench in the deeper recesses of the shade. Instead he's put himself in the open, facing into the sun. I get the feeling that this man is enjoying every moment he can out of life. Smoking brings him great joy it seeems, but it's not his only source of pleasure. In this environment, he seems to have choices. In the office woman's context, she does not.
Phil Douglis17-May-2007 05:34
Glad you felt the effect of the smoke here, Aloha. It is expressing as much emotion as the man. A story-telling picture will often rely on multiple emotions. The body language and expression on the man's face express emotional content, and as you point out, the relaxed, unanticipated and drifting pattern of smoke reinforces it. Thanks for pointing this out.
Aloha Diao Lavina17-May-2007 03:28
Yes, context is the other half of a photograph, the first half being the subject. I find this photograph eloquent in its storytelling and the meaning made more clear by the underexposed background. I like that you waited until he puffed out a cloud of smoke--his mood is echoed by the wisps of smoke trailing in a blur shapelessly--relaxed, unanticipated, and drifting, much like his mood and thoughts may be.
Phil Douglis15-May-2007 17:55
Same general subject, but we take different approaches to it. In yours, the street plays a major role. In mine, the smoke is dominant. Both communicate. Thanks, Mo.
monique jansen15-May-2007 10:44
Reminds me a bit of my relaxed smoker in the Paris gallery:http://www.pbase.com/trevvelbug/image/55970407
Phil Douglis13-May-2007 05:39
Thanks, Jenene, for commenting on this image as well. I see that you have amended your view of the previous image now that you've seen this one. You see the comfort and ease here, just as Tim did. And instead of seeing comfort in the previous photo, you now agree with Tim's view that for her, the smoke break was an escape from the present. All of which strengthens the point I am trying to make through this comparison -- that context pays a huge part in how we come to understand the meaning of a photograph. Not only the context given to us within the image itself, but in this case, you draw on context provided by both the comparison of these two images and Tim's eloquent verbal summation.
JSWaters13-May-2007 03:18
I love Tim's take here - he so eloquently sums up the comparison of the two images and says what I was struggling to find the words to express in the previous shot. This man is comfortable, looking forward to what's next, taking the moment to treasure a memory. A man totally at ease with his life.
Jenene
Phil Douglis11-May-2007 00:57
Yes, I was toying with the idea of using this pair of images in my "gesture and body language" gallery, but I thought that they would be even more valuable as examples of how context affects meaning. Thank you for telling us how you read the body language here. Different viewers will see them differently, and that is the great strength of expressive imagery. So much depends on what goes in the mind of the viewer. The image itself is only a beginning.
Tim May10-May-2007 23:53
I like the comparison of the two images - Taking a page from Jay Maisel - these also seem to be about gesture - His hand raised with the cigarette suggests contemplation of a relaxed time - his attitude is one of taking a break and heading to an enjoyable future. Whereas in the previous shot she seems to be escaping and hiding from an overpowering present.
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