photo sharing and upload picture albums photo forums search pictures popular photos photography help login
Phil Douglis | all galleries >> Galleries >> Gallery Thirty Seven: As others see me > Painting with light, by Tim May, Shoshone, California, 2007
previous | next
18-FEB-2007

Painting with light, by Tim May, Shoshone, California, 2007

Tim found me photographing the old car that is the “cover” shot for my “Automotive Expression” gallery. (Click on thumbnail at bottom to see it.) This picture of me is Tim’s first image in the first of seven galleries he is posting on our Death Valley trip we shared in the spring of 2007. ( http://www.pbase.com/mityam/eastofvalley06 )

Tim shot this image through a side window of the old car I was photographing. He says in his caption that he sees this image as “a metaphor for image making – it is the artist trying to create clarity and interest out of the blur of the environment.” I left this comment in response: “As artists, we are all seeking clarity. I find clarity through abstraction – taking away, rather than adding. That’s what I am doing here, and that’s what you are doing here as well.”

(To some it might appear as if I am prayerful. Actually, the way I hold my camera as I am shooting is very revealing. Most photographers shoot with the camera to their eye. I shoot with the camera at my waist. I am studying the changes in exposure I get – in real time – as I scan the highlights and shadows on the old rusting car in active spot metering mode, abstracting the subject down to an essence. My camera, a Leica V-Lux-1, is letting me “paint with light” – showing me, as I work, exactly what my image is going to look like in terms of light, shadow, and color emphasis before I make the image, rather than after. The flip out “live-view” LCD viewfinder I am looking down into here is an essential creative tool. Without it, I would be shooting blind.)


Olympus E-330
1/80s f/5.6 at 86.0mm iso200 full exif

other sizes: small medium original auto
share
Phil Douglis07-May-2009 17:41
Thanks, Chris -- Tim knows me very well. We travel the world together as friends and photographers. Our wives encourage us to go on such expeditions together, although at times they have gone with us and endured our time consuming deliberations, such as what I am doing here. Tim's wife Deb summed it well by noting that "photographers are like male dogs -- they stop at every tree."
Chris Sofopoulos07-May-2009 06:55
I like the POV of Tim through the window.
Very good idea and result.
Phil Douglis21-Aug-2007 06:25
Tim uses the frame within a frame concept here to great effect. I often use it in my own work as well, Patricia -- seehttp://www.pbase.com/pnd1/image/82046717 andhttp://www.pbase.com/pnd1/image/80828683 for recent examples. As for the V-Lux-1, I have been using cameras such as this for awhile. It offers me a live view -- showing me the picture I am going to make before I make it. And it lets me shoot most of my images from waist level, which for me is more stable and makes me much less threatening and more inconspicuous than if I was masking myself with a camera. It is also much lighter than a DSLR, and offers me a huge zoom range with image stabilization. On the other hand, it has a smaller sensor, noise at higher ISOs, and a bit of a shutter lag. All of which I can live with, since I don't make large prints of my work nor do I shoot action for a living.
Patricia Lay-Dorsey21-Aug-2007 03:16
There are many aspects to this photo by Tim that I find interesting and engaging. Among them is the framing, as if we're seeing you through a keyhole, giving it almost a secret we-can-see-you-but-you-can't-see-us feel. Then there's your obvious passionate relationship both with your precious camera and with whatever it is you're photographing. I must admit I'm also intrigued by your waist-high approach to photographing! Made me google the Leica V-Lux-1 to see what this amazing piece of equipment is all about.
Phil Douglis11-May-2007 03:49
This is me, Suwanee. Some day we shall meet -- and I shall be no different than Tim has found me here. Intense. Passionate. And happy.
Guest 11-May-2007 00:50
Though I have not yet met you, I see a very passionate photographer here lost in his own world of viewing his images. (O:
Gil Hidalgo22-Apr-2007 02:49
That's the kind of answer a man of your charm would give. I try to give you a hard time, and you defuse it with a well written comment. You trully are a class above the rest. For now, I will quit making remarks and continue to learn from your pictures. Hope to see you this summer. I have one more business trip to Phoenix coming up.

Gil
Phil Douglis22-Apr-2007 01:51
Thanks, Gil, for the optical suggestion. Actually, my glasses have bifocal lenses in them, but I see the screen much better at close range without using them. So I wear my glasses on a neck cord, and use them to shoot, but not to read the fine details on the LCD screen.
Gil Hidalgo22-Apr-2007 01:34
The one thing that comes to my mind, Phil, Is Bifocals! If you had them, you would not this pose.
Phil Douglis17-Mar-2007 05:52
You have found the twin essence of Tim's artistry here, Jenene. By surrounding my hunched and totally absorbed self in the blur of an old car window, he speaks of making much out of little, which is what we do as expressive photographers. And, as you imply, he also expresses my quest here as a search for commonality. What you call a search for truth, for universal common ground, is symbolized by my intense desire to communicate.
JSWaters17-Mar-2007 04:40
Two thoughts come to me when I view this wonderful image of Tim's. First, how solitary and singular is the quest of the photographer - perfectly presented by Tim's framing. Second, how abstraction of that quest transforms the seemingly simple image search into the search for a universal common ground - a search for truth in a relavant form.
Jenene
Phil Douglis11-Mar-2007 19:35
Thanks, Victorial -- I am sure Tim will appreciate your thought. It is the framing that helps make this image express its idea.
Phil Douglis11-Mar-2007 19:34
Comment from Victoria, 11 Mat 07, deleted by accident:
"Excellent framing,...fabulous"
Phil Douglis11-Mar-2007 02:38
Thanks, Christine. Your comment is a tribute to Tim's vision. He finds the right moment to define my pursuit of clarity, surrounds me in blur, and makes this image. Yes -- it is very much the Phil you observed when you were out shooting with me.
Christine P. Newman11-Mar-2007 01:41
Exactly as I know you, Phil.
Type your message and click Add Comment
It is best to login or register first but you may post as a guest.
Enter an optional name and contact email address. Name
Name Email
help private comment