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Phil Douglis | all galleries >> Galleries >> Gallery Thirty-Five: How style and interpretation combine as expression > Survivor, Saguaro National Park, Tucson, Arizona, 2006
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21-MAY-2006

Survivor, Saguaro National Park, Tucson, Arizona, 2006

This is the third example using the saguaro as subject matter. These images express different ideas because of how I use my photographic style to interpret them. I build this image around a lonely cactus standing on the crest of a windswept, diagonal hill. Backlighted clouds soar overhead. A thin under-layer of clouds create a sense of explosive energy when contrasted to the under exposed dark blue desert sky. My interpretation metaphorically implies resiliency and survival. The backlighted sentinel is framed by straggly branches that echo the thrust of the saguaro’s arms, as well as the upward movement of clouds through the sky. The saguaro seems threatened, but it will survive. It has been alive for many decades, and is equipped by nature to flourish in this harsh desert environment. By interpreting the subject using the abstracting force of backlighting, I use my photographic style to create a metaphoric idea that will trigger the imagination of the viewer.

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Phil Douglis27-May-2006 04:39
Thanks for adding your own interpretation to this image. My tutorial student, Christine Newman, shot this scene in an entirely different way -- she used a vertical frame, a brighter, more optimistic sky, and she eloquently framed the saguaro with ocotillo stalks, giving it more thrust and energy. Her image is a prefect match for what you see in my picture. I see my image as being about survival and resiliency, while your interpretation seems closer to the photograph Christine made of this scene. All of which serves to demonstrate the infinite variability of interpretive approaches in expressive photography.
Shirley Wang27-May-2006 04:01
I think forms, abstraction, etc, help with bringing out the beauty in nature, although the interpretation may be different from person to person. To me, the plants are living and reaching high because of the engergy or beauty of the sky.
Phil Douglis24-May-2006 21:41
Thanks, Alexieg, for the comment. I appreciate, as always, your suggestions. The modifications you suggest might well produce a strongly expressive image, however they would also reflect your own photographic style and your own interpretation of the scene, not mine. That is what makes photographic expression so infinitely variable. Every expressive photographer has his or her own way of seeing, and they interpret their subjects through their own photographic styles. Thanks again for the suggestions -- they help reinforce the very points I am trying to make with this gallery.
alexeig24-May-2006 20:53
Nice to see your new image again. Great sky and silouettes. I have read also your explanation below the image and if you permit me, I feel thet the same idea can be expressed more forcefully by coming closer to saguaro and using a wider angle. Or/and, maybe clone out the protruding secondary bare branches
Phil Douglis24-May-2006 17:22
Your points are well taken, David. I agree with you wholeheartedly that some pictures carry more narrative than others -- where the story comes more from the picture itself and less from the viewer's own imagination. I feel this image offers a series of visual clues -- ominous sky, lone backlighted catcus, barren branches -- all of which suggest metaphor but allow the viewer's imagination enough space to make of it whatever they may. And I also agree that some pictures hit you immediately with impact, while meaning itself takes time to emerge. As for this particular image, the struggle I am implying comes from the foreboding elements. "The branches appear dead...is the same fate in store for the saguaro?" The context for struggle, as well as for the desert itself, must come from any knowledge of the harsh desert environment a viewer might already carry in his or her mind. If a viewer is not familiar with the aridity and heat of this desert, he or she may not get as much out of this image as someone who is.
david procter24-May-2006 05:57
A good exposure, the sky certainly gives this a foreboding mood. Yes meaning can be read in all pictures but some carry far more narrative than others. I certainly appreciate your work and I actually eagerly await new additions to your galleries but I can see Jeff's point aswell. I've found in the five months I have been using pbase you get a feel for an image immediately (like a zing!) and then maybe afterwards to begin to articulate why the image in question affects. The Saguro in this case does seemed threatened by an ominous sky but for me the surrounding vegetation (even in its moribund state) doesnt express a struggle or even a desert for that matter.
Phil Douglis24-May-2006 04:18
Thanks, Jeff, for your kind words. As for your question, reading meaning into pictures is one of the greatest pleasures expressive photography can offer. All it takes is imagination on the part of both photographer and viewer. Of course not all viewers are willing or able to do this. For them, a cigar may well be a cigar. (Or in this case, a saguaro will be just a saguaro.)
Guest 24-May-2006 02:40
Great image. I like that you attach so much meaning to your photos, but I wonder if sometimes, "a cigar is just a cigar"? I think this is just a beautifully composed and exposed photograph.
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