Both of these bodies -- the man and the car he is restoring -- are sculpted by the interplay of light and shadow into energetic forms. The man appears to pause in his efforts for an instant, just as his body seems to attach itself to the fender of the ancient automobile. They are linked in both form and coloration, partners in a complex and laborious task. I use a spot meter to expose for the highlighted areas of the image, allowing the shadowed areas to grow dark and mysterious, and stressing the huge empty spaces that define the vintage shell of the antique car.