Patient Naha pedestrians wait for the light to change. I waited for a passing car to screen them from my camera and was fortunate to frame one of them through a window, and place the other just above the hood of this taxi, abstracting one while defining the other. I find that intersections with traffic lights are ideal ground for street photography – subjects are often at a standstill, and looking right at us, or else they are diligently making their way across the street towards the camera. Such vantage points are active, rather than passive, creating confrontations that may more directly involve the viewer’s imagination.