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Phil Douglis | all galleries >> Galleries >> Gallery Nine: Composition -- putting it together > Twin Bridges, Guilin, China, 2006
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05-APR-2006

Twin Bridges, Guilin, China, 2006

Elegantly curved twin bridges separate Banyan Lake from Rong Lake and help give Guilin its identity as one of the most scenic cities in China. This image had to be built around the thrust of its composition. The light was gray and flat, and there was so little color in the scene that I converted the image to black and white, strengthening the image by abstracting it and making it seem timeless. I chose to use classically centered composition here to echo the symmetry of the bridges, the arch of the overhead trees, and the scenic lake and mountain setting beyond. I waited for two people to simultaneously cross the same bridge and released the shutter as each of them was leaving the frame. They create tension by pulling the eye out of the picture, contrasting strongly with the centered composition.

Leica D-Lux 2
1/250s f/4.0 at 6.3mm iso80 full exif

other sizes: small medium large original auto
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Phil Douglis21-Jan-2008 19:26
You are right -- the black and white version simplifies the image, stressing the form of the bridges. As for those people, I almost always include human figures for scale and symbolic purposes in my scenic imagery. There was a steady stream of foot traffic going in both directions here. I just waited until the crowd gradually came down to just two people, moving in opposite directions, and waited a bit longer until they were both the same distance from the edge of the frame, giving me the tension I wanted.
Guest 21-Jan-2008 16:50
I love it! The black and white really works here for me. It lets me focus on the shapes. I never would have thought to get those two people as you did.
Vera
Phil Douglis13-Apr-2007 20:20
Thanks, Chris, for pointing out the importance of symmetry here. If you look at Asian art itself, symmetrical arrangements seem to be a cultural tradition. I choose to work in that same tradition here. And yes, the black and white abstraction, along with the frame created by nature, and the two heads, each going its own way, all help this image express both mood and meaning.
Chris Sofopoulos13-Apr-2007 09:07
Symmetry and dof as well as the b&w choice create a very strong image Phil.
And these branches upon the right and left side make an almost natural framing.
Phil Douglis23-Apr-2006 04:07
Thanks, Christine. I am sure you recognized the format here -- it's the same as your own LX-1. The long, wide image helps create that sense of peace, quiet and balance you mention.
Guest 23-Apr-2006 03:50
This one is also about peace/quiet and balance. Very effective black and white.
Christine
Phil Douglis19-Apr-2006 20:41
Thanks, Mindy and Shirley, for the comments and votes. I made this image to demonstrate the eloquence of black and white abstraction as well as to illustrate the role of tension in composition. The eye is being pulled off both ends of the bridge at once by the departing people, yet at the same time it is also pulled right through the center of the image by the repeating rhythmic curves of the bridges and the arching trees and even the distant bridge and mountain directly above it. The horizontal 16:9 shape of the Leica's frame, as well as its 28mm wideangle lens, creates a wide sweep that intensifies this series of repetitions and tensions.
Shirley Wang19-Apr-2006 14:08
Wow..........! That's where b & w works.
I'm so nervous that the guy is about to be out of the picture. voted too.
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