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Phil Douglis | all galleries >> Galleries >> Gallery Thirty Three: Using light and color to define and contrast textures > Dedication Monument, Hoover Dam, Lake Mead, Nevada, 2006
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10-FEB-2006

Dedication Monument, Hoover Dam, Lake Mead, Nevada, 2006

Two 30 foot high winged bronze figures flank a 142 foot high flagpole on top of the Hoover Dam. They were called "Winged Figures of the Republic" by sculptor Oskar J.W. Hansen. I chose to photograph just one of them, and in a very abstract manner. I moved in on just the legs and feet, incongruously abstracting the image to stress the textures that tell a story. The great dam, still the highest on earth, is now more than 70 years old. Since its dedication in 1935, millions of visitors have rubbed the feet of these statues for good luck, or just for the tactile pleasure of touching them. The contrast in color and texture is striking – the smooth golden toes quickly become heavily textured feet and legs, fading gradually to green. I also included the textured wall behind the statue. It is natural rock, part of a canyon carved by the river now tamed by the dam itself. All of these textures, so different in color and feel, combine to help me tell my story.

Panasonic Lumix DMC-FZ30
1/400s f/8.0 at 15.6mm iso80 hide exif
Full EXIF Info
Date/Time10-Feb-2006 11:10:24
MakePanasonic
ModelDMC-FZ30
Flash UsedNo
Focal Length15.6 mm
Exposure Time1/400 sec
Aperturef/8
ISO Equivalent80
Exposure Bias-1.00
White Balance (10)
Metering Modemulti spot (3)
JPEG Quality (6)
Exposure Programprogram (2)
Focus Distance1.870 m

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Phil Douglis18-Jul-2006 04:29
The crucifixion metaphor never crossed my mind, Ceci. (Excuse the pun.) I am thinking tactile here all the way. Touch me, the picture shouts. The legs and feet are heroic, both in scale and position. But that was the Mr. Hansen's doing, not mine. All I am doing here is abstracting his work, stressing the play of light on the texture of the bronze and the surrounding rock, and inviting you to reach out and share in the fun.
Guest 18-Jul-2006 04:20
All I can think of is Christ's feet on the cross, but here, happily, unnailed, whole, shining and pointed down, as though ascension is about to occur. Much of the crucifixion imagery shows a block to support the body, which is here also. I don't wonder that people want to touch these beautiful feet. They are at once heroic and strong, with such a modern feel. I love the way the sun is bright on the rock, but more subdued on the metal. I like the positioning of these substantial feet. Perhaps some day I can go and pet them also!
Phil Douglis21-Feb-2006 06:11
Thanks, Antonio -- it is a new gallery. The initial images in it were all made on a trip I took this month to Utah's Zion National Park, and then on down to California's Mohave Desert. And yes, I only show a part of the statue here, the part that people love to touch for good luck. It is an abstract image because I don't show the whole thing, and it is also incongruous, because the feet are the last part of a statue one would think to look at. Most of all, it is about human values, because good luck is a universal human value, isn't it? It could just as well be posted in any of those galleries --the first three (and most important) in my cyberbook. Or, as you say, it could certainly be in the gallery on detail. Or in my vantage point or frame gallery, as well. But it is here in the texture gallery, because it makes you want to reach out and touch it, just like all of those other folks did!
Guest 21-Feb-2006 05:30
Hi Phil, it is a pleasure to notice this gallery which seems new by the dates I read on comments. Here I see a closeup on the feet of a statue which I used to play to enjoy details of things and beauty of a sculpture better than the whole image. It could fit also one of your previous gallery, the one on details (not remember the exact title you used).
Phil Douglis19-Feb-2006 20:59
Glad to give you this additional context, Azlin. By comparing both of Tim's wonderful overall images to this abstract approach,we can see how the closer we get to a subject, the more evident textures become.
Azlin Ahmad19-Feb-2006 14:38
Phil, having seen Tim's image, I see what you mean!
Phil Douglis19-Feb-2006 02:00
And still another photo made by Tim May, this one of a photographer trying to get it all in. It will give you a good ground level perspective, and should tell you why I chose to concentrate on just one set of feet. http://www.pbase.com/mityam/image/56229110
Phil Douglis19-Feb-2006 00:51
Azlin, my friend Tim May, who was shooting with me throughout this trip, just posted his own spectacular wideangle version of this image athttp://www.pbase.com/mityam/image/56229100
Phil Douglis18-Feb-2006 20:34
Thanks, Azlin, for pointing out how my abstract approach to this statue forces your mind to imagine the rest of it. I posted a shot showing another part of this statue in a travel article on this trip. You can see it athttp://www.worldisround.com/articles/278784/photo25.html
Azlin Ahmad18-Feb-2006 09:24
The legs and feet already hint what the rest of the statue would look like, your description confirmed my mental image of it (but the nice part is that with just the legs and feet to go by, the rest of the statue is whatever I want to imagine it to be!). I like the contrast in textures, there is an illusion of water flowing down the statue, which balances out the dry, sunbaked wall of the dam. Very nice.
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