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Phil Douglis | all galleries >> Galleries >> Gallery Thirty Two: On Safari -- expressing the essence of nature > Puku Trio, Luangwa River, South Luangwa National Park, Zambia, 2006
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03-JAN-2006

Puku Trio, Luangwa River, South Luangwa National Park, Zambia, 2006

A week spent at the Luangwa River Lodge included several game drives by boat. We floated past these three female pukus, which have arranged themselves perfectly for us, integrating three bodies into one. Their heads are in perfect relationship as all stare intently at me. The heads and ears create a rhythmically repetitive horizontal movement, echoing the flow of the river and the grass they stand in. The afternoon light outlines their bodies, and contrasts their dark brown forms to the rich green grass. I used my spot meter to expose for that grass, which caused the muddy riverbank behind them to become virtually black. If I had used normal matrix metering, the image would have equally balanced between green grass and brown mud and the impact of the three puku would have been greatly reduced. This image speaks of family, and of constant watchfulness. Puku, like all of Africa’s ungulates, are vulnerable to predation by lion, leopard and crocodile.

Panasonic Lumix DMC-FZ30
1/400s f/6.3 at 88.8mm iso80 full exif

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Phil Douglis24-Aug-2006 06:46
Thanks for the triads, Ceci. I did not do anything with my camera to make that happen. It is simply nature's way of presenting itself in light, time, and space.
Guest 24-Aug-2006 06:30
Such a lush photo this is, and a study in triads: three deer, three layers of surroundings; three blades of grass jutting out of the water in two different spots; three downward curved rock faces; three black noses; three "legs;" three heads and all of it emanating the exquisite tension of animals waiting to see who makes the next move. Most beautiful!
Phil Douglis10-Mar-2006 21:22
I knew what you meant when you called this image "perfect," but your comment offered me a chance to make an important point. I am glad you agree with me that expressive photography does not depend heavily upon technical abilities. The most expressive image of World War II, Robert Capa's explosive photo of a soldier under fire during the invasion of Normandy (http://images.google.com/imgres?imgurl=http://www.skylighters.org/photos/photo2.jpg&imgrefurl=http://www.skylighters.org/photos/robertcapa.html&h=420&w=661&sz=39&tbnid=rySSPf2nfioJ:&tbnh=86&tbnw=136&prev=/images%3Fq%3Drobert%2Bcapa%26hl%3Den%26lr%3D&oi=imagesr&start=3 ) was "ruined" by a Life Magazine technician during processing, yet in its blurred abstraction, it summed up war at its most terrifying moment. This image
is indeed "real" -- more so than most combat photographs.
Shirley Wang10-Mar-2006 13:40
Phil, glad you mentioned this. My 'perfect' here though is more emotional than technically-related. I was being thankful for the pukus who presented such a 'perfect' situation. I agree that technical perfection is not neccessary for expressing ideas. I think that is more of the job of those who make the tools/gears for photography and show us what the camera can achieve technically. We users, however, can choose how to use them. Sometimes inperfection makes it more real and less pretentious. I like the asymetric view you created with the stone in that picture of beautiful Schonbrunn. I visited there long time ago but didn't have your eyes to notice that point. Thanks! -Shirley
Phil Douglis10-Mar-2006 00:24
Thanks, Shirley. I am glad you like this image as much as I do. And I treasure your one word summary: "perfect." I know what you meant when you said it. It was perfect for you! There is really is no such thing as a perfect picture, because perfection does not exist in expressive photography, which is a subjective art form. I had a spirited debate last October on this point with a fellow who had criticized my image athttp://www.pbase.com/pnd1/image/20774714 He felt my images lacked technical perfection. I reminded him that only he could define perfection, according to his, not my, standards. You might want to read our debate. It will make good reading for you, Shirley. You will see why it is so important that you leave comments such as this. Even a small word is liable to trigger a large thought. And you did it for me this time. Thank You.
Shirley Wang09-Mar-2006 22:49
Perfect, may I say. I see the beauty of this inconguity come from the fact that their bodies are lined in three directions, left, right, and front.

Shirley
Phil Douglis18-Feb-2006 00:13
It's an incongruous situation, isn't it? That's what made me shoot it, Lara.
Lara S12-Feb-2006 18:11
what I like about this image, Phil, is that they all look like one animal. You really can't tell which one starts and which one ends.
Phil Douglis26-Jan-2006 17:52
Thank you, Ramma -- they were standing there, waiting to be photographed. But I had to photograph them in the right moment in the right light and from the right spot to make an expressive image. And that is what I try to do here
Ramma 26-Jan-2006 08:36
Such a simple, yet powerful image. Extremely appealing. Its almost as if they have been standing here since long waiting for you to come and photograph them.
Phil Douglis24-Jan-2006 22:55
As you point out, the four layers in this image -- water, grass, puku, and muddy river bank -- each reinforce each other. Without any of them, the image would fall apart.
Guest 24-Jan-2006 12:58
This is a beautifully exposed image - you have managed to make the puku stand out against their environment. The backlight outlines their bodies especially against the dark mud bank. You have also used the layers to show the African environment river, grass and muddy bank. The puku are safe on the grass but always alert for potential dangers. Well captured!
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