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Phil Douglis | all galleries >> Galleries >> Gallery One: Travel Abstractions -- Unlimited Thought > Shoeshine, El Jardin, San Miguel de Allende, Mexico, 2005
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27-OCT-2005

Shoeshine, El Jardin, San Miguel de Allende, Mexico, 2005

By using strong backlighting to silhouette this man shining his own shoes on one corner of San Miguel’s principal plaza, I’ve placed the emphasis on shape, rather than form or detail. The richly colored wall with an embedded plaque, and the ornately silhouetted posts offer context by telling us that we are in an old and historic place. Not only is the man completely in silhouette – he is also a bit softer than the crisp background, making him seem an even more ephemeral and symbolic figure. There is an incongruous twist here as well. He earns his living shining the shoes of others. Yet here, at day’s end, he takes care to shine his own as well. We are left to imagine what he may look like, and how he may feel about what he is doing.

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Phil Douglis02-Jul-2007 20:17
I am delighted that you are gradually seeing how this cyberbook works best, Daniel. Bit by bit, you are changing the way you think and see. You will become thoroughly familiar with various kinds of abstraction in this gallery, and build on that understanding by coming to grips with the power of incongruity and the importance of human values in the next two galleries. Once you can integrate these three principles into your own way of thinking and seeing, your own images will gradually evolve accordingly, and each succeeding gallery will add layers of additional knowledge to your arsenal of photographic concepts and ideas. I am delighted with how you see this image now -- the shoe shine man kneeling at the feet of a "greater being" is a wonderful concept. It is not my concept, however. It is yours. And that is what expressive photography does so well -- it triggers the imagination of each viewer, inviting them to visualize their own concepts within my image and take it wherever they may wish.
Guest 02-Jul-2007 19:33
Phil, your ideas on expressive photography are finally starting to work within me. I've always been impressed by your work but never really took your philosophy and applied it to my own work. However, the more I view your galleries, the more I understand the ideas you're trying to convey with each photo. Viewing photo after photo, one starts to understand the point of the gallery. At first I was mistakenly looking for a stunner with every photo, trying to figure out why it was amazing. But I kept forgetting this gallery is about abstraction. Abstraction leaves so much room for the imagination, and I appreciate how open-ended yet beautiful your images are. However, I now realize that an image is not a stunner without incongruency and human values. I hope to learn those in the next two galleries. With this particular image, I do not see a man shining his shoe but a man at the feet of a greater being (that huge shadow on the right, with the top of the photo cutting off at the "greater being's" mid-thigh).
Phil Douglis13-Sep-2006 18:52
If an image can ask this many questions of you, Jenene, it is doing its job as expression. Your answers will allow you to build your own work of art out of it within your imagination. Thanks for taking such a close, long look.
JSWaters13-Sep-2006 18:35
If this is the end of his work day, I would venture to guess that he takes great pride in his appearance and his vocation. He could very easily pack up and head home, but he takes the time to shine his shoes. Is he preening for his wife at home - knowing that she loves a well groomed husband? Is he off to enjoy the night life - searching for a special someone to share his life with? Or, is he off to visit respected and aged family, for whom he must present his most respectful form? You've got me thinking about a host of possibilities here, Phil.
Jenene
Phil Douglis10-Aug-2006 17:30
As always, a delightful interpretation, Zandra. It is so good to have your spontaneous, imaginative rambles back under my images. The key, of course, is the imagination. That is what abstractions are supposed to work on. And that is why I made this image. So you could make anything you wish out of him. If you want to see an athlete instead of a shoe shine man, that's fine. He works hard at what he does, and that is all that matters, right?
Guest 03-Aug-2006 20:03
Hm..looking at this one on a better computer i see it isnt just a shadow but a back lit man... Waht a difference a computer screen can do :)
Guest 03-Aug-2006 09:05
I just recently bought a photo magazine which had a article regarding making use of shadows to define or enhance your subject. You do just that in this photo Phil. You define your subject. Only you have taken it abit further even. Making use of the shadow alone and completely leave out the actual person makes this photo universal. This could be anyone anywhere. At a very first glanze the man reminded me of an athlet, leaning down sligtly to tie his show before going for his run. I know this is an evening shot but it still also makes me think of an eraly morning...an eraly morning run to clear the head before a hard days work. Or how about a late evenign run to clear the head after a hard day at work. We all need that moment for ourself where we are alone with our thoughts, when the only sound we here is our hart beat and our own breath. A place and time for meditation. Taht is what comes to my mind looking at this.
Phil Douglis07-Jul-2006 20:58
Thank you, Annie, for putting this image into context for us. You are right -- this man is everyman. Faceless, an anonymous giver of services, one of many in our lives. If this image can make us think of such people as human beings, instead of bloodless figures that serve our needs, I would be delighted. Thanks for bringing up this point.
Phil Douglis07-Jul-2006 20:54
Thanks, Rod -- I just noticed that I had not responded to your fascinating comment. I was waiting for someone to mention the fact that the focus is actually on the background here, not on the subject. And therein lies the meaning for you -- the building lasts for centuries, but man is mortal and will not. Thank you for this insight.
Annie J07-Jul-2006 18:52
I think that the backlighting speaks to the nature of many humans and his form of work...the shoeshine man is kind of faceless so to speak...I mean for most of us, do we really notice the faces of those whose professions it is to serve us? Do we really realize that the "shoeshine man" (sorry, don't know what they are called) has an identity, a life outside of shining our shoes? If you stop and think about it you do, but when you are going about your harried day, it is just one more stop, one more "errand" and you may be polite and all towards him, but he is just an anonymous figure and you don't really stop and think of him as a person with a life of his own. This is shown through the silhouetting here, he is faceless...he is definitely there, but doesn't have anything that makes him a unique person any different from the next "shoeshine man". Yet the fact that he is shining his own shoes shows that he is indeed human and does indeed have his own life with his own needs (such as his own shoes being shined) that need to be addressed and taken care of.
George Christakos14-Mar-2006 14:37
The silhoutte works more than perfect here.
Phil Douglis09-Mar-2006 06:46
Welcome back, Yanan. It has been a long time. Glad you find this abstraction to your liking. Less is usually more.
YNW09-Mar-2006 05:21
Oh, mine! I love this shadow photo!!!!!!
Guest 07-Mar-2006 03:02
Here, you use not only strong lighting, but strong color to abstract the scene. If not for the small parts of white, this would be a unique monotone photo. The abstracted figure and profile gives me a feeling of weariness or fatigue. Your use of the crisp background, softening the individual gives me further sense of he is just existing. It also gives me the sense the building is vibrant, and everlasting, while he is fading over time.
Phil Douglis24-Jan-2006 02:36
Glad this reminded you of your own image, Antonio. Both are abstract, and use light and color to good effect.
Antonio Trincone 23-Jan-2006 11:24
As I see this shot soon I remember two things related to my own. First I noticed the word in english which have the same sound of a neapolitan word Sciuscià surely related historically when american soldiers arrived to Italy during second wolrd war; secondly I strongly remembered this shothttp://www.photo4u.it/viewcomment.php?pic_id=50084 for the almost same color of the background and for the expressive meaning centered on silhouettes. More, in the mine the word game Sac_Red which for the your I played with Sciuscià :-)
Phil Douglis23-Dec-2005 23:55
Thank you, Diana, for this wonderful comment. The whole purpose of photographic abstraction is to show less and say more, thereby implying meaning instead of describing the subject. This image has certainly piqued your imagination, and that is the purpose of expressive photography itself -- to trigger thoughts and ideas in the minds and imaginations of our viewers. I am glad you see pride here and wonder where he may go when he finishes putting the last touch on his shoes. It means my image is working.
Guest 23-Dec-2005 22:47
I must admit I like this image because of the same reasons you have typed in your note. My sentiments exactly Doug. I like the strong colour. Seeing this man's silhouette makes me think about the end of his day. Where does he go, does he have a family, has he earned enough money to feed himself. I sense that he is a hard working man with great pride in his work.
Diana
Phil Douglis22-Nov-2005 17:19
Thanks, Rudi, for these comments. You are right -- this image could be an example in my workplace gallery, and in my human values gallery as well. It is a mark of a substantive image when it can demonstrate so many different aspects of expressive photography.
Guest 22-Nov-2005 16:55
A day's work i finish by washing my hands. This man's self-image shows pride to me: Standing and sitting all day in the dusty plaza, he finishes his day's work by polishing his own shoes: It has been a good day, one has to come home with clean shoes... Besides the abstraction of the cut-out, which i like very much, this picture neatly would have fitted into your workplace-gallery too.
Phil Douglis15-Nov-2005 17:35
It is not easily done, Mo -- you must use the spot meter, and try to focus on the edge of the subject itself to keep it sharp, yet also be able to include enough of the brighter background in the spot meter's sensor to enable you to under expose the scene and turn the subject black. I just missed on this shot --I got the right exposure, but missed the focus on the person. The wall is sharp and he is not. As it worked it out, the picture still works with a softly focused subject, because he looks more ephemeral and mysterious.
monique jansen15-Nov-2005 15:00
Another one of your favorite expressive photos, backlit to make the figure more abstract, wonderfully done. By trying to do it myself in my images I now realise it is not that easy as you make it look
Phil Douglis12-Nov-2005 02:11
You may have misinterpreted my caption, Mikel. I did indeed take this picture at the end of the day. I am glad you felt the fatigue in his abstracted figure and profile -- it was there.
Guest 12-Nov-2005 01:58
Well, the first thing I thought about it is your last frase, a shoe polishing man polishing his own shoes... Aniway, I think seriously that this silouet abstraction works well for a main reason, and it is because you are showing not only the silouet of the man but also some not evident objects in silouette too.
About the man's feeleng... well, you tell us that it is at first hour of the day... otherwise I wold have thinked that it was the last hour of the afternoon, since he has his mouth open but not stressed by talking or who knows what else, it almost seems that hi is tired after a hard day of working it also adds to that feeleng his body curved to the front and is curved back, as well as his falling arm to my point of view. Anyway, we also could imagine that he just woke up, right? that is hard too. ;)
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