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Phil Douglis | all galleries >> Galleries >> Gallery Eight: Light and shadow shape meaning > Self-portrait, Santa Fe, New Mexico, 2005
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15-JUL-2005

Self-portrait, Santa Fe, New Mexico, 2005

The morning sun was at a perfect angle, throwing a shadow of a heroic sculpture, depicting a mounted Indian holding a buffalo skull over his head, on to the street. As I tried to photograph this shadow, my own shadow kept appearing in the frame. I finally gave up and changed my concept. I would make the problem into my subject matter. I simply held on to the pedestal of the sculpture with one hand and shot with the other. Fortunately, I was wearing a wide brimmed hat, which, in combination with my photographer’s vest, makes me look very much like a figure out of the Old West. The resulting abstraction speaks more of Santa Fe’s history than it does of either the sculpture itself or myself. Both become symbols of a larger idea.

Panasonic Lumix DMC-FZ20
1/500s f/4.6 at 6.5mm iso80 hide exif
Full EXIF Info
Date/Time15-Jul-2005 19:42:29
MakePanasonic
ModelDMC-FZ20
Flash UsedNo
Focal Length6.5 mm
Exposure Time1/500 sec
Aperturef/4.6
ISO Equivalent80
Exposure Bias
White Balance (10)
Metering Modemulti spot (3)
JPEG Quality (6)
Exposure Programprogram (2)
Focus Distance

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Phil Douglis05-Dec-2007 03:35
Thanks, Vera, for appreciating the symbolism of costume here. You are right. If I had been wearing my usual baseball hat, I would have looked at my shadow and decided not to make this image. But since I had my wide-brimmed hat on that morning, the shadow spoke to me of the old west, just like the sculpture, and it made me, as you cheerfully note, part of history.
Guest 05-Dec-2007 01:22
You have become part of the statue and part of history. Isn't that amazing! and all because you wore that hat. Think what would have happened had you been wearing a baseball hat...ha ha...You would have looked like a silly tourist trying to take a picture of a historical image. But now you are history...
Vera
Phil Douglis13-Oct-2005 23:45
So now I've become Sancho! Wonderful metaphor, Galina. I admit that I spend my life in the service of expressive photography, and if that is what you see here, you have added a new layer of meaning to this image for me. Thank you.
Galina Stepanova13-Oct-2005 18:24
I simply found here Don Kichote with his Sancho. The charm of shades is in transformed shapes, which easy can be filled with imagination. Let’s say shade of Don Kichote is Photography and shade of Phil is its faithful servant.
Phil Douglis24-Sep-2005 03:04
You are right. Cultural differences can change the context in which we view pictures. Glad to know I remind you of Lucky Lucke.
Guest 06-Sep-2005 18:16
Just imagine this picture seen from the point of view of a different culture. When I first saw it, I saw Lucky Lucke, a cartoon popular in France and in French Canada -seehttp://www.internationalhero.co.uk/l/luckyluk.htm - Lucky Lucke is a caricature/cartoon.
Beside that, I found that this is a very cool self-portrait! This could be an interesting exercise in photography classes (the most original self-portrait) - you would certainly get good marks!
Phil Douglis16-Aug-2005 23:23
It is melancholic, Tim. The horse's head drops in sadness. The symbolic American Indian appears to be pleading to the Great Spirit for help. Meanwhile, the symbolic figure in the wide brim hat just stands there and watches this world fade away forever. This abstracted image is all about Santa Fe's history. This was the Old West, and its story, now sanitized and romanticized and commercialized, was not one to be proud of.
Tim May16-Aug-2005 23:10
I find this image saddening. I feel such a sense of foreboding in it. After the light of an era or of a person, we are only left with shadows.
Phil Douglis31-Jul-2005 20:16
Thanks, Kal. I took this image without the arm continuing the shadow, and it did not work. I had to integrate myself into it, and make myself appear as I was not the photographer, but instead part of a scene symbolic of the "Old West."
Kal Khogali31-Jul-2005 14:59
Something of a vulture swooping down on it's victim here. The context you provide and the 10 gallon hat take us back to an age when magic and voodoo are order of the day. Without the arm contimuig the shadow, it would appear as the shadow of the photographer, by holding on to the monument, you become an integral part of the picture. I don't tink of the shadow as the photographer, and that is the brilliance behind this image.
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