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Phil Douglis | all galleries >> Galleries >> Gallery Six: Vantage Point makes the difference > The Face of Burma, Bagan, Myanmar, 2005
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The Face of Burma, Bagan, Myanmar, 2005

This girl takes her appearance seriously. She has carefully painted her face in Thanaka paste, Burma’s traditional makeup, and added lipstick and two flower for accents. Chatting with her (in English!) in the courtyard of a ruined temple, I asked her about her makeup. She told me that she often experimented with different designs. It seemed to me that young children were often much more daring than adults in how they used Thanaka to create the face of Burma. To underscore her bold cosmetic presentation, I chose a somewhat disoriented vantage point, bringing my camera down low to shoot up on her face and tilting the frame as I did so. By doing this, I am able to reorient the image along a diagonal axis. Placing her face in the lower right hand corner, I use this low vantage point make the thrust of the old temple walls echo the flow of the bold yellow patches and stripes of Thanaka she has applied to her face.


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Phil Douglis03-May-2005 21:12
Thanks, Clara, for this comment. I disoriented the framing here to underscore the boldness of her cosmetic experimentation. She seems to be trying to feel her way towards becoming a woman, and she is in uncharted territory. Thus, the diagonal tilt. Sorry it feels forced to you. I intended it to convey a disoriented feeling, and I think it succeeds.
Guest 03-May-2005 20:05
I see the benefit of your diagonal perspective having the girl at the right bottom, in showing some of the walls, with their own (hi)story, so they add context information. However, I am not much comfortable contemplating the girl herself in that angle, it seems a little bit forced, or is that her eyes look upwards and that feels uneasy. I need to see more of her.
Phil Douglis10-Mar-2005 23:17
You said it all, Tim. One of the reasons I moved my camera down below my waist to make this photo (the G6, with its rotating viewfinder, is ideal for that) was to make her gaze echo the soaring walls of the temple behind her. She was looking straight ahead when I took this shot, but because of my vantage point, it seems as if she is looking up. You are right -- she is a child who wishes she was a woman. it is about the future, isn't it?
Tim May10-Mar-2005 17:29
I think this image would be ruined if she were looking into the camera. The expression in her eyes shows delight in being photographed, but she is not looking at us, she is looking towards her future.
Phil Douglis27-Feb-2005 20:54
You are right. I want to shock with the makeup, and if I backed away to show more of the girl, I would have lessoned the impact of that detail.
monique jansen27-Feb-2005 09:19
I like it, but I would have shown a little bit more of the girl, now she is completely disembodied, but maybe that is what you tried to achieve as well with this vantage point.
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