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Phil Douglis | all galleries >> Galleries >> Gallery Seven: Making time count > Violent Ice, Denver, Colorado, 2004
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26-NOV-2004

Violent Ice, Denver, Colorado, 2004

While visiting Denver, I spent an entertaining evening as a spectator at a college ice hockey game between two of the best teams in the US – Denver University and Boston University. I was seated high in the stands, a long distance from the playing surface. I had a small Canon G6 digicam with me – hardly the kind of camera able to stop fast action in full stride. But by using time itself as a medium of expression, I could use my small digital camera to blur action, expressing two essential aspects of ice hockey as a sport – its speed and physical violence.

The level of existing light in the ice arena required me to use a slow shutter speed of 1/8th of a second in “program” mode – perfect for what I had in mind. This slow shutter speed causes the bodies of the players to become flowing blurs of color – some more, some less, depending upon skating speed. Hockey is a very fast and violent game, as players battle each other for possession of a small disc of rubber and try to blast it into the opponents goal. The Denver team, defending US national collegiate champions, displayed a swift and crushing defensive style, stopping the Boston attackers time and time again. Knowing this, I focused on an area where the Denver defensemen made their stand, and in this shot I capture three of them (wearing white) stopping the Boston offensive players (wearing red).

It is impossible to carefully compose this picture because of the continual action. However, since I am using a seven-megapixel camera, I could later crop it dramatically, creating a composition that defined the nature of this game for me. I placed a blurred Denver defender in the upper left hand corner, diagonally opposed to a blurred Boston attacker in the lower right corner. They are symbolic “action anchors.” The point of the picture is expressed across the center band of this image. At left center, a red Boston attacker, legs pumping wildly, tries frantically to get around a defender in order to receive a pass from a teammate at the right edge. The Boston effort fails because Denver’s defense was too strong, and too fast. The player in red at right edge will never make his pass because he is about to be slammed by that blurred Denver defender just to the right of center. This moment in time encapsulates the fast flow of not only this particular game, but the essence of the violent sport of ice hockey as well.

Canon PowerShot G6
1/8s f/4.0 at 28.8mm full exif

other sizes: small medium large original auto
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Guest 09-Jun-2005 02:43
One of your most wonderful shots,Phil :))
Phil Douglis07-Jan-2005 21:56
Thanks, Dandan, for playing with my image. That is why I posted it. So you could learn by downloading my image, cropping them, making any changes you want in them, and then asking questions such as you ask here. I want my galleries to be truly interactive instructional galleries and you are making them just that!

Now to your wonderful comments and questions. Glad you are looking at the image with new eyes. That was my intention. The defender in the upper left hand corner is an essential part of this image. He gives the image more han just balance. He also creates diagonal eye flow corner to corner, something I talk about at length in my Composition Gallery. It gives this image much of its energy -- and since energy is the essence of what I am trying to express here, that was why I chose this image over many others that did not have this corner to corner flow of energy.

The missing leg does indeed invite your imagination to enter this image along with him. Your comment reminds of a story I heard about the filming of the movie "Bus Stop" back in the 1950s. Director Josh Logan was insisting on a very tight crop of a passionate love scene featuring Marilyn Monroe and Don Murray. Suddenly he became dissatisfied stopped the shot. "You were chopping off the top of Don's head in that shot," Logan told his cameraman. Monroe looked up from Murray's arms and said "What's the big deal, Josh? Everyone knows Don has a top to his head!"

And that is exactly my point here. Everyone knows this guy has a leg just off camera. You don't have to show it here. And besides, he is only an abstraction, a moving blur. As you said, a symbol of speed and hope.

As for your question regarding deliberately chopping off a leg, it would depend on what both legs might say together. Would just one say it better, as here? In otherwords, I would have to study the shot before I could make the decision. I could take it either way. I hope this helps, Dandan, and thank you for asking such a terrific question.
Phil
Guest 07-Jan-2005 12:21
Phil, I downloaded this picture and cropped out the Denver defender, just want to see how it would make me feel… and you are right, the cropped image doesn’t seem complete anymore, something’s missing. I guess that is the “balance” of a picture.
As you explain, he is an abstraction, a symbol of speed and hope. Now I look again this picture, he doesn’t bothering me anymore; amazingly, the missing leg brings out my imagination and felling of movements to the image.
Now, that brings another question: If in your original picture, you “captured” both of his legs, would you crop out of one his leg on purpose to emphasis the imagination?
Phil Douglis06-Jan-2005 23:33
Thanks, Dandan, for asking another important question, and also for your willingness to criticize my images. The best way to learn is to pick a picture apart and ask photographers why they did what they did. As for that Denver defender with the missing leg, as you say, he is one of two action anchors here. Both anchors are moving into the frame. To me, neither of them is "missing" anything. Normally I would not suggest cropping off a leg, because it would cripple the subject. But in this case, the missing leg did not bother me at all. The figure is little more than a blurred abstraction, a symbol of speed and violence. We can get away with cropping an abstraction any way we want, because abstractions usually seem less real, and more symbolic. The important thing here is that he symbolizes help on the way. We all know he has two legs, or it would be difficult for him to play this game at this level. In fact, I can see that leg in my own imagination and so can you. So give the viewer credit for having an imagination, too. That's what I did. You are right, Dandan --to crop him out of the image altogether would destroy the image by eliminating the diagonal placements of mortal enemies in each corner.

As for how to effectively crop an image, I can give you a couple of guidelines. I have always believed that cropping is a tool for expression. It helps us to strengthen our ideas by creating a new frame. It really is a second chance to frame compose our picture. It allows us to remove distractions. It can help abstract our subject, as we do here. When we crop, we are really recomposing the image, allowing ourselves to shift our subject in the frame. We can also crop to change the shape of the frame itself, so that the image flows with greater emphasis. Each of these applications of cropping is an art unto itself. It takes thought and practice and, most important, an understanding of what the picture is trying to express. A crop can make or break an image, Dandan. I like this image for how it expresses my idea. Everything in it, including that Denver defender at upper left, is an instrument of either speed or violence and sometimes both. If you will look at him symbolically, instead of literally or descriptively, you may come to see his role in a new light and you might even agree with me that his missing leg is really nothing more than an unseen extension of what is already rushing into the picture to stymie the Boston University rush.
Guest 06-Jan-2005 13:28
Phil, the Denver defender in the upper left corner is somewhat bothering me, because of missing leg, I think. However from your description, he is one of the action anchors. If you crop him off the image, would that throw off the balance of the image? How to effectively crop an image is a big puzzle to me…
Phil Douglis31-Dec-2004 23:53
Aren't all photographers somewhat dizzy, Anna? It comes with the territory.
Anna Yu31-Dec-2004 23:13
Oh I see. Heh forgive me Phil but it kinda gives me the idea that the photographer was dizzy too, when he took the picture! :-)
Happy New Year!
/Anna
Phil Douglis31-Dec-2004 21:04
That's the point, Anna. To make you dizzy. Hockey is that kind of a game. Speed and violence challenge the equilibrium. Even the ice and boards tremble, here, Anna, and that exactly the point.
Anna Yu31-Dec-2004 16:10
This makes me a bit dizzy, the more I look at it. Why? I figure that I would have liked at least one thing in focus, the background or the lines in the ice at least.
Phil Douglis10-Dec-2004 21:22
Good eye, Tim. This image was made in the spirit of "Folk Dancers" -- it makes very similar points, but in an entirely different context, and to a different end. As for shifting the focus from the speed and brutality of this game to the beauty of its choreography, whatever you may find of that in this picture probably comes from your own love of the dance. We often read much of what we are into pictures. As I mentioned to Robin below, hockey is sometimes likened to a form of ballet because of the often graceful moves of its skaters. (She even saw a Tango going on to the left of center.) Once again, it's all in the eye of the beholder. Ice Hockey is one of the fastest and and most violent sports of all, and that is what I intended to express here through my choices in expressing time and movement through blurred action.
Phil Douglis10-Dec-2004 20:59
Thanks, Jen, for following up on this. When you originally criticized the previous color of this image you just said you did not like it, but you did not say WHY you did not like it. It is important when criticizing something to always say why, because it much more helpful, particularly as a learning tool. Here you at last admit what bugged you: you felt the previous warm yellow tone of the ice competed with the uniforms.

There is another lesson here as well. I had originally thought to just leave it, because I felt the warmth of previous color contrasted to the cold, brutal action of the game. But your criticism bugged me into action. I put the picture into photoshop and came up with what you perceive as a cleaner, simpler image, just by desaturating it. And yes, I like this version just as well as my previous color. The important thing is that you, whose ideas on color hold a lot of weight with me, like it too.

Thanks, Jen.
Phil
Tim May10-Dec-2004 17:31
My first thought when I saw this image was how "un-phil-like" it was. Your images often get their movement from composition, angle, color, and content. Then immediately I thought about your image of the Folk Dancers and realized that it was "phil-like."
As I read through the other comments I find the dance comparisons very apt. It is as if sport and dance are on the same continuum. In sports like Hockey and Football the brutality is the surface that we see, yet by different means such as this image, or slow motion movies we can focus on the grace, agility, strength and dance of the activity. Having been a dancer (folk dance) and knowing something about ballet, I know that while the focus is on grace and movement, there is a great deal of brutality to the dancers body that is going on below the seen. So the continuum is one of focus. For me, your image has allowed the focus to shift from the brutality to the dance.
Jennifer Zhou10-Dec-2004 14:53
Yeah, this is better now! The yellow layer is out and leaving only vivid red there without any color to compete with. Now this picture is clear and simpler to me. Thank you for taking my suggestion Phil, hope you like this version too! :)

Jen
Phil Douglis10-Dec-2004 06:17
Thanks, Jen for your comment. Photographing what you feel is at the heart of expressive photography. My point is to take you inside the game, and feel its speed and violence as if you were in it. Good point about the color of blood and the uniforms, but I did not choose the colors.

Speaking of colors, that warm yellow color comes from the color of the lights in that rink. You will note that it is no longer as warm. All I did was to adjust it by desaturating this picture in Photoshop. Do you like this version better? It was simply a matter of degree of coloration. Not the color itself.
Jennifer Zhou10-Dec-2004 05:11
Phil,
You chose to abstract the picture by blurring the players, it makes this picture much more interesting to look at. You are photographing not what it is, rather what you feel. And by doing that you realy bring us to the game.
I am glad one team wearing red, it is the color of blood also indicating dangers which all help to express the violence.
However, I don't really like the warm yellow tone in the picture.

Jen
Phil Douglis08-Dec-2004 04:41
Robin, you must have never watched a hockey game! That blurred fellow in the middle is about to smash his body into the red suited gentleman to his right. Hard. Very hard. The object is to knock him away from the puck, and it is legal. I agree that this image may speak of poetry and grace as well. There is much finesse in this game, as well as force. As for that dance you imagine, hockey is often likened to ballet on ice, but with much greater speed and infinitely more brutal punishment.
Phil Douglis08-Dec-2004 03:50
I particularly appreciate your comment about the guy skating off the page, Lara. Some might criticize this image for missing its most "vital" subject -- the stick that is carrying the hockey puck on is blade. However in this case, I think that abstraction makes this picture work with greater effectiveness. The three players converging on the off-the-page hockey puck at far right are indeed speeding off the page, which is, of course, the point I am trying to make here.
robin statfeld07-Dec-2004 23:00
Violence?
You have captured poetry and grace. They are dancing...
Lara S07-Dec-2004 14:30
We are so using to seeing frozen action shots. So refreshing to see this one. It totally gives you the feeling of speed. You can almost feel that those guys are about to skate off of the page.
Phil Douglis06-Dec-2004 00:33
Dave, your wisdom is appreciated. I suppose I will now have to go directly to the penalty box! Now all I have to do is to avoid starting a land war in Asia! Thanks for the comment.
Dave Wyman06-Dec-2004 00:22
Everyone knows we're're not supposed to blur an image, we know that living things - people, dogs and such - are not supposed to look or move out of frame, and we know it's futile to become bogged down in a land war in Asia. You have violated at least two of these rules, Phil, and of course you've come up with the winning shot.

Dave
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