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Phil Douglis | all galleries >> Galleries >> Gallery Nine: Composition -- putting it together > Wet Curve, near the California-Nevada Border, 2004
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19-OCT-2004

Wet Curve, near the California-Nevada Border, 2004

A rainy fall day in the Eastern Sierras provides spectacular views of a rugged, yet beautiful, landscape. To make this scene work as a photograph, I compose it around a series of striking contrasts in color, texture, and directional thrusts. I fill the foreground with a wet road flanked by dual focal points – a brilliant yellow tree on the left, and a car about to take a curve to the right, its tires leaving a fine mist of water in its wake. I contrast this colorful flow of the road moving right, to a series of light brown hills bearing hundreds of leafless trees that zig and zag both to the left and to the right as they climb towards the top of the frame. A forest fire probably scourged these hills, still another way that nature works on the land. Man, nature, rain, fire, color, and movement – all play their parts in this memorable scene.

Panasonic Lumix DMC-FZ20
1/125s f/3.7 at 27.2mm iso80 full exif

other sizes: small medium large original auto
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Phil Douglis24-Sep-2005 03:57
Thanks for pointing out the three dimensional quality of this image. As we know, photographs exists only in two dimensional form -- they have height and width. We must somehow be able to imply the third dimensional aspect -- depth-- as well. In this case, the flow of the road, the hills, the scale difference between the car and the trees, all imply that sense of depth, and thus add that 3D quality you speak of here.
Guest 16-Sep-2005 19:51
It is interesting to see how you were able to give us a good almost 3-dimensional picture. It is so hard to achieve. I like your explanation. Rainy days have their qualities.
Phil Douglis12-Nov-2004 05:14
Thanks, John. You lend us your eyes for a moment and take us on a journey through this image. The more I look at it, the more import the bright autumn colors of those trees on the left become. They energize this picture, and along with the red taillights of that car, pull us into the composition so eloquently describe here.
Guest 12-Nov-2004 04:51
Wonderful image Phil. The bright autumn colors against a once burned landscape that is itself on the road for the return to glory. The single car, a four wheel drive with its taillights burning, and mist rising from the road as it passes tells a story of the land where this was taken. There are a number of things at work in this photo. The placement of the road/car, the curve, the diagonal line of the road and power lines further into the photo that run from right to left. All of these tend to lead your eye through the image.
Phil Douglis05-Nov-2004 21:38
Imperfections are often the subject of our images. There are a number of imperfections here. The bad weather, the burned trees, the powerline. Yet all of these things have helped me tell the story. Thanks, Anna, for this observation.
Anna Yu05-Nov-2004 20:30
The first thing I thought was WOW. What a great landscape. I love imperfections in landscapes best, they make the landscape more realistic. Here the road and car suggest the presence of mankind, and that irritating powerline in the background repeats this. Very nice shot.
Phil Douglis31-Oct-2004 19:02
And I love everything about your interpretation of this photograph, Maureen. It is almost as if you were there with me peering into my viewfinder, because my own reasons for making this picture parallel your step by step progress into these hills. This image is about that very journey, and that car in front of us becomes our surrogate. For a photograph to work as expression, it should ask questions and demand answers from its viewers. I am delighted that this image has been able to do that for you.
Guest 31-Oct-2004 13:56
I love everything about this photograph, and again, it's taken with our beloved FZ20! The lines in this are wonderful. The two lines moving up the mountain sort of mimic the road at the point of the curve beyond the car. Then there's the road with the little yellow sign on it that draws our eye to it, too. Most of the image is stark, it's only near the road and the car that we are treated to splashes of color and a variety of texture that gives the impression of a real live photograph. As the viewer, I'm drawn more to the mountains, just as the car seems to be headed there, and I wonder about why that is. Why is he heading there and why am I drawn to go there myself to see what I may find? I really like photographs where I end up questioning why my eyes are following a certain path or why they prefer to linger in certain parts of the photo - and this certainly has me questioning myself.
Phil Douglis29-Oct-2004 21:31
Zebra, thanks for this comment and image. Yes, your feel is quite different than mine. It stresses form, (you call it mood) instead of telling the story that my color image tells -- a beautiful autumn landscape created by contrasting colors. I think your image is impressive to look at, Zebra, but I don't feel it expresses the content as effectively in black and white as it does in color. Here is my advice: if color is an important part of the message, use color to build your idea. If color is not important, use black and white -- it is a wonderful abstracting medium. I think you did this because you seem to prefer the strong abstracting qualities of black and white, but you lost sight of my story here -- an autumn landscape. Thank you for asking this question. I hope my answer will be useful to you, Zebra, in making use of form to express content, not using form for the sake of form itself. (I went through this same exercise with Jen -- if you look at her work, you will see that she now uses color when color is the story, and she uses black and white when color is irrelevant or distracting.
Phil Douglis29-Oct-2004 20:53
Without that car and that mist, this is just another scenic shot. With the car and mist, it acquires the energy of movement, that draws the eye into and then through the landscape.
Guest 29-Oct-2004 16:29
Phil,I really like this shot,but my feel is a little different from yours.I show you in B&W.Can you see it?I made a little adjust :strengthened the contrast,dark the the mountain,and dark bottom of the road for a balance.I feel this B&W has more mood,do you? Maybe I am stupid,tell me your real though.
Guest 29-Oct-2004 15:57
Very cool shot. The mist from the tires really attracted me.
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