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Phil Douglis | all galleries >> Galleries >> Gallery Sixteen: Story-telling street photography > Laundry in the Alfama, Lisbon, Portugal, 2004
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05-SEP-2004

Laundry in the Alfama, Lisbon, Portugal, 2004

This is perhaps the luckiest example of street photography in this gallery. I just happened to be passing by the open back door on the second level of a house while this lady was hanging laundry high over a winding street in the Alfama, Lisbon’s oldest neighborhood and probably its most picturesque. And to make it even better, the flag of Portugal was hanging over the street from the house next door! But lucky as my magical appearance on this spot was, I had to make the shot work. To do that, I had to capture the instant in time when the tensions in this image were the highest. The energy crackling between the reaching fingers of the woman and the laundry itself is one of those things that only happen when the shutter is released at the right moment in time. To get this shot I took it again and again as the old laundry came in and new laundry went out. But this is the moment that best tells the story.

Canon PowerShot G5
1/500s f/4.0 at 23.0mm hide exif
Full EXIF Info
Date/Time05-Sep-2004 14:49:07
MakeCanon
ModelPowerShot G5
Flash UsedNo
Focal Length23 mm
Exposure Time1/500 sec
Aperturef/4
ISO Equivalent
Exposure Bias
White Balance (-1)
Metering Modemulti spot (3)
JPEG Quality (6)
Exposure Program
Focus Distance

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Phil Douglis28-Apr-2006 19:46
Thanks, Niall, for this comment. Yes, it is a life turned "inside out" shot, but as you say, it is the context offered by the flag that gives it a sense of place and counterpoint of vivid colors. Like many of my street photos, I had to "work the image" -- shooting many different moments here as the laundry came in and went out.
type28-Apr-2006 16:05
Spain and Portugal are gold for these kind of "life turned inside out" photos on the street. The inclusion of the flag makes it a cut above.
Phil Douglis27-Mar-2005 21:14
Good point, Denise. You reduce the flag, a national icon, to the equivalent of underwear. Symbols can change in meaning as their context changes.
Denise Dee23-Mar-2005 12:37
made me laugh. love the flag as another piece of scenery, 'laundry' in a sense. thanks, denise
Phil Douglis27-Feb-2005 06:27
Makes me unsettled, too, Dandan. That is one of the reasons I took it. The tension between reaching and falling is palpable. Glad to unsettle you. Expressive images should arouse every kind of feeling, not just pleasant ones. Right?
Guest 23-Feb-2005 10:19
Yes, Phil, the negative space definitely draws my attention to her hands, but at the same time, I keep wondering, is there anything to protect her from falling off the building…? it makes me feel a little bit of unsettled…
Phil Douglis09-Nov-2004 19:33
Thanks, Zebra, for seeing this incongruity. I never looked at this picture in that way before. You make me see my picture with new eyes!
Guest 09-Nov-2004 15:36
Between the hands out of house and the flag of Portugal,an interesting relation make this shot excellent.I love this shot,phil.People hang up a flag as same as hanging up wet clothes,it is amused.
Phil Douglis12-Oct-2004 03:59
Your observation is anything but ridiculous, Carol. As I said in my capton, this shot is all about the tension between the hands and the laundry. If you see them as "willing" the laundry to dry, that's what's happening here. Expressive photography is the art of triggering such thoughts as this. Thanks, Carol, for letting your imagination come into play here. As I have always told my workshop students, neither the camera nor the photo itself is the most important player in photographic expression. It comes down to what the photographer can do to trigger the imagination of the viewer, excite the emotions, and stimulate the intellect. The photo itself is only a catalyst to thought. It's what happens in the mind of the viewer that is the most important thing. And this image has obviously caused your imagination to go into overdrive!
Carol E Sandgren12-Oct-2004 03:23
A ridiculous observation...if I hadn't known the story about how you shot this picture, I'd have just thought the woman's laundry was not dry yet and in her hand gestures, is "willing" her laundry to dry! I noticed her hands first then the rest followed.
Phil Douglis09-Oct-2004 23:05
Thanks for being the first to mention texture here, Rodney. Photographs have the ability to stimulate our senses. We not only see them, but some play to our ears, mouths, and fingers as well. This is a finger picture. It encourages us to touch as well as see.
Guest 09-Oct-2004 21:54
the sharp capture of the textures really make the scene come alive for me. you can almost experience how it 'feels' there
Phil Douglis26-Sep-2004 21:32
Thanks, Pedro, for telling why your city was showing the national colors everywhere. The flag was a key to the success of this image, not only for the sake of its color, but also for its symbolic meaning. I loved my visit to the Alfama district of Lisbon. I could almost hear the slow sad music of the Fado as I made this shot -- it permeates Lisbon as the Tango does Buenos Aires. Thank you, Pedro, for bringing the perspective of a Lisboan to my picture.
Guest 26-Sep-2004 16:28
That one is brillant ! You had lucky because as you now he ad here in Portugal Euro Soccer 2004. And almost every windows put the Portuguese flag at the windows (that the reason of so many windows with flags...).
This is one of the most famous and beautiful places in Lisbon. The FADO born here in Alfama, this is the most tipic zone of Lisbon. This photos tles a story yes - tels the story of Fado, tells a story of oldes Lisbon - beautiful and charm !
Phil Douglis26-Sep-2004 00:41
I liked all of that too, Bruce. But for me, the colors and textures and beauty provide the context for what you call "a very modest moment from normal life." Glad you like it -- for me the image is a moment in time from my travels, preserved forever. It has come to symbolize Lisbon's charming Alfama district for me.
Guest 25-Sep-2004 19:40
This photo is particularly charming and beautiful. The colors, textures and space of the old city, and also a very modest moment from normal life. This one really works for me. I consider it to be an "artistic street photograph"! :)
Phil Douglis19-Sep-2004 03:56
Good point, Tim. When I travel to places that have been inhabited for thousands of years, it is always humbling to realize how insignificant I really am. I am just passing through these places, where life has gone on for centuries without me, and will continue to bubble with human activity long after I am gone. I try to capture some of these feelings in my pictures, searching for the essence of a place and then putting real people into that context to bring it to life. In a way I am always placing people "in the ancient," Tim. Because all of us are part of an unbroken chain of life that goes on and on. That is really what so much of my travel photography has come to be about. As you put it here, places live and breathe. And I must be able to find those moment with my camera. No better place the streets, right?
Tim May19-Sep-2004 00:44
What I am drawn to in this image and in many of you images is the way that you place people in the ancient. That the places of the past are not just beautiful in their own right, but the are living breathing places where life goes on.
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