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Phil Douglis | all galleries >> Galleries >> Gallery Nine: Composition -- putting it together > Morning in the park, Beijing, China, 2004
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19-JUN-2004

Morning in the park, Beijing, China, 2004

A man greets the day with exercise along a canal – an image alternating energy with tranquility. I placed the man to the left of the frame, and began the flow of stonework lining the canal precisely in the lower left hand corner. It draws the eye to the man, and then proceeds to diagonally flow to the bridge in the upper right hand corner. I also saw the other man crossing the bridge, and waited until his reflection was visible between the trees to make this picture. This is a complicated image with many different forms – two people, lots of stonework, water, trees, and a bridge. All of which create the two opposing forces in the image – energy and tranquility. The purpose of my composition is to organize everything so that the eye flows easily to the key points of the picture and to intensify contrast between the movement of the man’s arms and the stillness of the rest of the image.

Canon PowerShot S400
1/100s f/4.9 at 22.2mm full exif

other sizes: small medium large original auto
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Phil Douglis11-Feb-2007 20:35
Glad you feel this image very much as I do, Ceci. I saw it as an expression of the tensions between energy and tranquilty. You see the man standing upon a great dragon, with the arch of the bridge and its reflection as the dragon's eye. Even as you feel the tranquility here, your envisioned dragon must certainly bring potential energy to the scene.
Guest 11-Feb-2007 07:21
This will be my goodnight image, to envision as I close my eyes for sleep. It's one of my most favorite pictures I've seen, Phil, wth the Tai Chi practitioner to the sensual curving of the walls and bridge, like some great dragon on which the man stands, complete with pebbled hide and huge sleepy eye made by the arch and its twin in the lake; to the reflection of the mysterious passerby, invisible and yet mirroring the larger person in reverse; to the shine and stillness of the water, the lacy white railing that anchors everything, and the gentle, misty green of the foliage. Sigh. Tranquility. Thank you.
Phil Douglis24-Feb-2006 17:56
Hi, Elinor,

I don't know the name of this park. Like many things in Beijing, it is relatively new. It is located just west of the lower end of the Forbidden City. On my map of Beijing, it still shows as a neighborhood of hutongs. But many of those neighborhoods are no longer there. They have been sice replaced by new structures or, as in this case, new parks.
elinor mattern 24-Feb-2006 14:55
Do you know the name of the park?
Thank you.
Elinor Mattern
Phil Douglis09-Sep-2004 03:10
Thanks, Anna. You are right -- this image is very complex, and the greenery and the rockwork provides the glue that holds together this interplay of energy and tranquility.
Anna Yu26-Aug-2004 18:56
A complicated image, but I think the green pulls everything together. Serenity.
Phil Douglis16-Aug-2004 02:23
Thanks, Bruce, for all of these observations. I have sent you via email a black and white version of this shot. It is sound, but lacks the subtle lushness of the greenery that gives this scene vitality. And vitality is really core of this idea, isn't it? The fellow on the bridge is there, as you say, in reflection only. I waited until he was framed by the trees and then made this photo.
Guest 15-Aug-2004 03:11
I want to add that I find it particularly fascinating that the fellow in the background is obscured from our direct line of sight. We can only see him as a reflection! Good one, Phil!
Guest 15-Aug-2004 03:09
I'd be curious to see this one in b&w. The sinous lines of masonry draw me in, taking me on a tour that includes the two gentlemen.
Phil Douglis16-Jul-2004 19:03
Thank you, Tim, for underscoring the importance of seeing, planning, and waiting in photography. It comes with experience, trial, and error. Shooting alongside of you twice in Santa Fe and once in San Diego has greatly sharpened my ability to notice the small things that make a big difference. Anticipating a moment I know is coming is another skill that photographers develop over many years. In China, I worked very hard on both of these skills.
Tim May16-Jul-2004 18:17
The reflection of the man who was crossing the bridge is a perfect example of your planning and waiting - I love this image.
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