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Phil Douglis | all galleries >> Galleries >> Gallery Nine: Composition -- putting it together > Victorian Façade, Villa Montezuma, San Diego, California, 2004
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18-APR-2004

Victorian Façade, Villa Montezuma, San Diego, California, 2004

I tried to capture the flavor of the Victorian era through the colors and design in this abstract image of one of San Diego’s well-preserved 19th Century buildings – the Villa Montezuma. In this image, I organize elements of light and shadow, color and form, man made materials and the work of nature, into a coherent whole. The bold black shadows lead the eye into the picture from the top left and then move us down into through middle of the image in rhythmic steps. Notice how the diagonal shadows at the center also echo the slant of the thin diagonal shadow at left, as well as the repeating diagonal grooves on the wallboards at lower right. I also organize this photograph with repeating colors. A green plant sprouts into the picture diagonally from the lower right hand corner, its leaves echoed by the horizontal green bar splitting the right hand side of the picture. Plant shapes also show up on the orange tiles at left. Finally, the orange shingles compliment the color of the tiles. Looked at as a whole, this very small slice of patterned light, shadow, and color takes us back to another era in San Diego’s history.

Leica Digilux 2
1/500s f/6.7 at 17.0mm iso100 full exif

other sizes: small medium large original auto
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Phil Douglis25-Sep-2005 23:23
Thanks, Rod, for your comment on this shot. Once again, I am using composition here not for its own sake, but as a means to an end. This image is all about an era, another time and place. The composition here evokes that time and that place well.
Guest 25-Sep-2005 20:57
I appreciate oochappan's comment, as this is supposed to be focused on composition, not merely colors or pop of the leaves, etc.) I love the variety of lines, from curved to straight, to directional. I also love the lines created by the shadows. :)
Phil Douglis09-Sep-2004 03:22
Hi, Ed. Thanks for your kind words on my images. To answer your question which seems to be about equipment, first of all, please realize that a pricey SLR is not the key to making expressive images. The eye and vision of the photographer is much more important. I did not use a digital SLR to make any of the photographs in my galleries. (The Leica "DG 2" that you mention is actually the Leica Digilux 2, which I use for some of these images. It is not a SLR at all. It is a fixed lens digital camera.) A digital SLR is critical when if you need to use interchangeable lenses and it is also essential for making very large files that can be use to make very large prints. DSLR's also offer very fast bursts of sequential imaging. But for all other uses, I feel that most digital photographers are better off using a far lighter fixed lens digicam. For web display and prints up to eight by ten inches in sizes, a four, five, or six megapixel digicam would work beautifully. Many of these digicams, such as my Canon G5, offer rotating flip out LCD viewfinders which can held at waist level and allow you to make pictures without having to cover your face with the camera. Digicams also give you an actual live preview of what you will be shooting, while digital SLRs only show you the actual picture after you've shot it. I hope this will be helpful.
Phil
Ed 27-Aug-2004 00:32
Very nice and the more I view your photos, it motivates me to purchase a pricey digital SLR. I do not know if my question is appropriate to ask in a public setting like this, but let me give it a try. I know the Pentax Ist D, Leica DG 2 and similar digital SLR's are pricey. I am a weekend photographer and I take mostly family events. I want to create my own gallery of sceneries and sports that I will enlarge, enhance with oil painting and frame. I would really appreciate it if you can share with us your experience with what I would like to achieve. Thank you for your insights. Ed
Phil Douglis30-Jul-2004 04:27
Thanks, Henk -- composition is just what you are describing here -- a way to guide the eye through the picture, organizing it so that expression comes through without distractions.
oochappan30-Jul-2004 00:43
I like the orange geometrical structure emphased by the shadow pulling straight to your eye and coming even to life by the green leaves. Indeed a harmonious balancing contrast.
Phil Douglis03-May-2004 21:09
Thanks, Anna. An often overlooked aspect of color photography is color-contrast. Not only was it important to consider the scale of these leaves in comparison to the richly colored background, but background color, as you remarked, is very important here. It helps make the leaves "pop."
Anna Yu03-May-2004 18:13
I agree with Tim, the green leaves catch the eye immediately. I think the contrasting orange color brings out the green. If the wall had been blue or green the effect wouldn't be so striking.
Phil Douglis27-Apr-2004 21:59
You are right, Tim -- without the leaves, this picture is an exercise in only light and shadow. The work of nature and man becomes one here -- and because of it, meaning changes.
Phil
Tim May27-Apr-2004 21:21
The green leave "pop" this image for me. That and the shadow move it beyond forms to substance.
Phil Douglis25-Apr-2004 06:04
By all means go -- you can tour the inside as well, but they will make you put away your camera. There is so much to shoot on the outside of this place, however -- windows, trees, architectural details, and most of all the play of light on this fantastic structure, which will change dramatically as the day goes on. I look forward to seeing your own Villa Montezuma gallery someday, Wendy. Go!
Wendy O25-Apr-2004 05:42
Nice. I'll have to visit this place, looks like a great place to shoot.
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