The final picture in this five-picture “balcony” sequence is quite different from the other four. This time, I do not shoot someone coming towards me. We can’t see who this man is, but rather we come to understand what he represents as a symbol. He is an abstracted figure, seemingly walking in private, rather than in public. He walks away from us, enveloped by the shadowy wall and the shadow it casts on the boardwalk itself. His hat is pulled down over his head. He wears all black, and he looks down as he walks at a carefully measured pace. The sun illuminates only his hat and his fingers. Strong diagonal lines echo his journey from both sides. The tire tracks on the sand and the stone boardwalk wall itself seem to guide him from the left. Meanwhile, the shadow of the wall, as well as the double yellow and black dividing lines in the middle of the boardwalk, trace his progress from the right. He may walk alone with his thoughts, yet all who view this image are encouraged to follow along as well.